Not on display

This object consists of 4 parts, some of which may be located elsewhere.

Harpsichord

ca. 1725 (made)
Artist/Maker
Place of origin

English harpsichords, made from about 1700 onwards, tended to be larger than Continental ones. Thomas Hitchcock the Younger (ca. 1685 – after 1733) was the most prolific member of a family of keyboard instrument-makers based in London, which spanned three generations from about 1660 to 1770. The Hitchcocks almost exclusively made spinets, and this harpsichord is one of only two that the family is known to have made.

Object details

Category
Object type
Parts
This object consists of 4 parts.

  • Harpsichord
  • Harpsichord Stand
  • Lid Hook
  • Harpsichord Parts
Materials and techniques
Planed and joined walnut case, planed spruce soundboard with carved and planed pearwood bridge. Ivory-covered naturals and ebony sharps with 'skunk-tail' strips of ivory on the top.
Brief description
English harpsichord, walnut case, double manual keyboard with ebony and ivory 'skunk-tail' sharps, Thomas Hitchcock, about 1725.
Physical description
Harpsichord with two manuals, with a range of sixty-one notes, GG - g3, chromatic. The upper manual has two eight-foot stops and the lower one one eight-foot and one four-foot stop. The naturals are covered with ivory and the sharps are ebony, topped with a strip of ivory, a form of decoration known as 'skunk-tail'.The soundboard is spruce, the bridges pearwood and the case walnut. The jacks are made of service wood with tongues of holly. The lid is fixed to the case with four brass 'S' hooks and four brass strap-hinges engraved with floral decoration. The stand is made of balustraded legs of stained beech, and the stretcher between the front and back legs is a replacement made of stained pine.
Dimensions
  • Length: 231.7cm
  • Width: 93.8cm
  • Hieght of instrument off its stand height: 26.7cm
  • Weight: 70kg
Dimensions taken from Howard Schott: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part I: Keyboard instruments. (London, 1998), p. 70.
Marks and inscriptions
Thomas Hitchcock, Londini, Fecit (Inscribed in ink above the keyboards.)
Translation
Thomas Hitchcock made this in London.
Gallery label
(pre September 2000)
HARPSICHORD, by Thomas Hitchcock, London, about 1725. Inscribed Thomas Hitchcock, Londini, Fecit. Case walnut and soundboard spruce. The sharps are ebony with an ivory slip ("skunktail") and the naturals covered with ivory. The instrument has one "four foot" and three "eight foot" registers tuned an octave lower and a range of GG - g3.

Keyboard Catalogue No.: 22

Like the Claviorganum by Lodevyk Theewes (1579) in Gallery 52, this instrument comes from Ightham Mote, Kent, and the only known harpsichord by Thomas Hitchcock, a prolific builder of spinets and member of a London-based instrument making family that spanned three generations, from about 1660 until about 1770.

Given by Mrs Luard-Selby.

126-1890
Credit line
Given by Mrs Luard-Selby
Object history
This instrument came from Ightham Mote, Kent, and was presented to the Museum in 1890, by Mrs Luard-Selby.
Summary
English harpsichords, made from about 1700 onwards, tended to be larger than Continental ones. Thomas Hitchcock the Younger (ca. 1685 – after 1733) was the most prolific member of a family of keyboard instrument-makers based in London, which spanned three generations from about 1660 to 1770. The Hitchcocks almost exclusively made spinets, and this harpsichord is one of only two that the family is known to have made.
Bibliographic reference
Howard Schott: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part I: Keyboard instruments. (London, 1998), p. 70.
Collection
Accession number
126-1890

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Record createdMay 16, 2001
Record URL
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