Not currently on display at the V&A

Barbarian chair

Chair
1981 (designed), 1994 (manufactured)
Artist/Maker
Place of origin

Garouste and Bonetti did not radically re-think the forms and uses of furniture, but re-styled it for a knowing and urbane audience, in a period dominated by post-modernist irony and symbolism. This attitude was a conscious rejection of modernist functionalism. They turned instead to historical styles for inspiration, or imaginatively reconstructed ancient styles, as with the 'Barbarian' range of chairs, sconces, lamps and tables.

Designed in 1981, this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional.


Object details

Category
Object type
Titles
  • Barbarian chair (assigned by artist)
  • Chaise Barbare (assigned by artist)
Materials and techniques
Wrought iron, hide, leather
Brief description
'Barbarian' chair, designed by Garouste and Bonetti, 1981, manufactured by Neotu, Paris, 1994, wrought iron, animal hide, leather straps
Physical description
Chair constructed of wrought iron with an animal hide attached by leather lacing to form the seat and back
Dimensions
  • Height: 115cm
  • Width: 57cm
  • Depth: 52cm
  • Seat height: 42cm
Dimensions taken from register Checked Jana Scholze 28.1.10
Style
Gallery label
CHAIR: BARBARIAN Designed by Elizabeth Garouste (French, born 1949) and Mattia Bonetti (Italian, born 1953), 1981 Made by Neotu, Paris, France, 1993 Wrought iron, hide, leather Garouste and Bonetti first broke from the limitations of High-Tech and the International Style in the early 1980s, finding inspiration in Primitivism, travel, and fairy tales. Perhaps their most famous commission has been the interior for the Paris Salon of Christian Lacroix, in 1987.(pre March 2001)
Summary
Garouste and Bonetti did not radically re-think the forms and uses of furniture, but re-styled it for a knowing and urbane audience, in a period dominated by post-modernist irony and symbolism. This attitude was a conscious rejection of modernist functionalism. They turned instead to historical styles for inspiration, or imaginatively reconstructed ancient styles, as with the 'Barbarian' range of chairs, sconces, lamps and tables.

Designed in 1981, this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional.
Bibliographic references
  • Aveline, M. (ed.), 'Elizabeth Garouste et Mattia Bonetti', Paris, 1990, pp.60-64
  • Buck, A. and Vogt, M.: 'Designer Monographs 7: Garouste & Bonetti', Frankfurt-am-Main, 1996, p.105
  • Williams, G, 'The Furniture Machine, furniture since 1990', p.22-3
Collection
Accession number
W.4-1994

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Record createdMay 2, 2001
Record URL
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