Barbarian chair
Chair
1981 (designed), 1994 (manufactured)
1981 (designed), 1994 (manufactured)
Artist/Maker | |
Place of origin |
Garouste and Bonetti did not radically re-think the forms and uses of furniture, but re-styled it for a knowing and urbane audience, in a period dominated by post-modernist irony and symbolism. This attitude was a conscious rejection of modernist functionalism. They turned instead to historical styles for inspiration, or imaginatively reconstructed ancient styles, as with the 'Barbarian' range of chairs, sconces, lamps and tables.
Designed in 1981, this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional.
Designed in 1981, this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional.
Object details
Category | |
Object type | |
Titles |
|
Materials and techniques | Wrought iron, hide, leather |
Brief description | 'Barbarian' chair, designed by Garouste and Bonetti, 1981, manufactured by Neotu, Paris, 1994, wrought iron, animal hide, leather straps |
Physical description | Chair constructed of wrought iron with an animal hide attached by leather lacing to form the seat and back |
Dimensions |
|
Style | |
Gallery label |
|
Summary | Garouste and Bonetti did not radically re-think the forms and uses of furniture, but re-styled it for a knowing and urbane audience, in a period dominated by post-modernist irony and symbolism. This attitude was a conscious rejection of modernist functionalism. They turned instead to historical styles for inspiration, or imaginatively reconstructed ancient styles, as with the 'Barbarian' range of chairs, sconces, lamps and tables. Designed in 1981, this furniture was made from coarse wrought iron, and for this chair an animal hide was laced into the frame as upholstery, evoking early ways of living. Its conception relies on a sophisticated understanding of design and art history. The wrought iron consciously suggests the mid-twentieth century furniture of Diego Giacometti, while the form of the chair is relatively conventional. |
Bibliographic references |
|
Collection | |
Accession number | W.4-1994 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | May 2, 2001 |
Record URL |
Download as: JSON