Image of Gallery in South Kensington
On display at V&A South Kensington
Glass, Room 131

Dish

1820-1830 (made)
Artist/Maker
Place of origin

In 1803, the Georgenthal glassworks near Gratzen, Bohemia, in what is now the Czech Republic, was taken over by Count von Buquoy, who developed in 1816-1817 an opaque black glass called 'Hyalith', inspired by the black basalt stonewares made by Wedgwood in Staffordshire, England. Initially the pieces were only wheel-cut, but from 1820 they were additionally gilded and etched to produce a varied texture of polished and matt surfaces.


Object details

Categories
Object type
Materials and techniques
Opaque black 'Hyalith' glass, cut and gilt
Brief description
Dish, Bohemia (Georgenthal), Count von Buquoy glassworks, 1820-30
Physical description
In 1803, the Georgenthal glassworks near Gratzen, in what is now Czechoslovakia, was taken over by Count von Buquoy, who developed in 1816-17 an opaque black glass called 'Hyalith', inspired by the black basalt stonewares of Wedgwood. Initially the pieces were only wheel- cut, but from 1820 the pieces were additionally gilded and etched to produce a varied texture of polished and matt surfaces.
Dimensions
  • Maximum width: 17.5cm
find dimensions
Style
Gallery label
In 1803, the Georgenthal glassworks near Gratzen, in what is now Czechoslovakia, was taken over by Count von Buquoy, who developed in 1816-17 an opaque black glass called 'Hyalith', inspired by the black basalt stonewares of Wedgwood. Initially the pieces were only wheel-cut, but from 1820 the pieces were additionally gilded and etched to produce a varied texture of polished and matt surfaces.
Production
On the base is faintly pencilled 'Misses Pirie', presumably the Misses Pirie of the Pirie loan.)
Summary
In 1803, the Georgenthal glassworks near Gratzen, Bohemia, in what is now the Czech Republic, was taken over by Count von Buquoy, who developed in 1816-1817 an opaque black glass called 'Hyalith', inspired by the black basalt stonewares made by Wedgwood in Staffordshire, England. Initially the pieces were only wheel-cut, but from 1820 they were additionally gilded and etched to produce a varied texture of polished and matt surfaces.
Bibliographic reference
'Glass of Four Centuries' M.Kovacek, Vienna, 1985 (which pages?) 'Gläser der Empire und Biedermeier', G.E.Pazaurek, Leipzig, 1923, pp.265..
Other number
9386 - Glass gallery number
Collection
Accession number
C.7-1966

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Record createdDecember 13, 1997
Record URL
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