1960 (made), 1900-1960 (printed)
Artist/Maker | |
Place of origin |
The block from which this print is taken is believed to have been engraved Thomas Bewick (ca. 1753–1828) himself, rather than by someone in his workshop. Bewick was the first artist to exploit fully the potential of wood engraving. In wood engraving the image is usually made on a block of hard wood, typically boxwood, which the engraver works with a burin instead of the knives and gouges used in woodcutting. This makes it possible to produce more delicate effects. Bewick pioneered the white line method, carving some of his design into the block to be ‘read’ as white lines. He combined this with the more usual black line engraving, in which the part of the design not to be printed was cut away leaving the outline and shading of the design in relief. Compare the foliage in the tree (in white line) to the tomb and urn (in black line).
Object details
Categories | |
Object type | |
Materials and techniques | Wood-engraving |
Brief description | Impression taken in 1960 from the woodblock engraved by Thomas Bewick in memory of his friend Solomon Hodgson, ca. 1800. |
Physical description | Wood engraving of a tomb in a churchyard |
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Style | |
Marks and inscriptions |
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Gallery label |
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Subjects depicted | |
Summary | The block from which this print is taken is believed to have been engraved Thomas Bewick (ca. 1753–1828) himself, rather than by someone in his workshop. Bewick was the first artist to exploit fully the potential of wood engraving. In wood engraving the image is usually made on a block of hard wood, typically boxwood, which the engraver works with a burin instead of the knives and gouges used in woodcutting. This makes it possible to produce more delicate effects. Bewick pioneered the white line method, carving some of his design into the block to be ‘read’ as white lines. He combined this with the more usual black line engraving, in which the part of the design not to be printed was cut away leaving the outline and shading of the design in relief. Compare the foliage in the tree (in white line) to the tomb and urn (in black line). |
Associated object | E.5506-1960 (Original) |
Bibliographic reference | Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1960 and 1961 London: HMSO, 1964 |
Collection | |
Accession number | E.5506A-1960 |
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Record created | June 30, 2009 |
Record URL |
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