Hanging
1700-1899 (made)
Artist/Maker | |
Place of origin |
From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric; some were stylised; all were worked in soft colours often enriched with metal thread.
Object details
Categories | |
Object type | |
Materials and techniques | Linen, embroidered with silk in regular surface darning over five threads; made from three widths joined after being embroidered |
Brief description | A linen hanging embroidered with silk, Turkey, 18th/19th century |
Physical description | Hanging, part, linen embroidered with silk in regular surface darning over 5 threads. Made from three widths joined together after being embroidered. Each panel is decorated across its full width with a floral pattern based on a black, undulating and branching stem. It bears round red blossoms and spiky blue blossoms and small green leaves. |
Dimensions |
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Style | |
Credit line | Given by Prof. R. M. Dawkins |
Subject depicted | |
Summary | From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric; some were stylised; all were worked in soft colours often enriched with metal thread. |
Bibliographic reference | Illustrated in 'Ottoman Embroidery' by Marianne Ellis and Jennifer Wearden (V&A Publication, 2001); plate 75 |
Collection | |
Accession number | T.92-1950 |
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Record created | February 27, 2001 |
Record URL |
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