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Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes

Print
ca.1925 (made)
Artist/Maker
Place of origin

This portfolio is a facsimile of a collection of the watercolour designs for textiles and costume by Delaunay made between ca. 1915 to the mid-1920s. It includes poems by some of the poets of the avant garde and texts by Albert Gleizes, Robert Delaunay and Apollinaire, which praise Delaunay's work or relates to it in some way, reflecting the close relationship at that time between visual artists and writers. The facsimile represents the way in which, even at the time, artists such as Delaunay were recognised in Paris for their value to a wider public.

Object details

Categories
Object type
TitleSonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes (assigned by artist)
Materials and techniques
Brief description
Part of page from portfolio facsimile of watercolour drawings of fashion plates entitled 'Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes', preface André Lhote, Librairie des Arts Decoratifs, Paris, ca. 1925.
Physical description
Fashion plate of two women with brightly patterned scarves
Style
Production typeLimited edition
Marks and inscriptions
  • Sonia Delaunay (Facsimile of artist's signature, lower right)
  • 1922-1923 (Bottom centre)
  • 5 (bottom right)
Object history
Transferred from Circulation Department. Renumbered from existing 'C' numbers. The whole portfolio appears to have been accessioned into PDP in two groups, E.7 to 12-1980 and a later group, E.381 to 400-2009.
Summary
This portfolio is a facsimile of a collection of the watercolour designs for textiles and costume by Delaunay made between ca. 1915 to the mid-1920s. It includes poems by some of the poets of the avant garde and texts by Albert Gleizes, Robert Delaunay and Apollinaire, which praise Delaunay's work or relates to it in some way, reflecting the close relationship at that time between visual artists and writers. The facsimile represents the way in which, even at the time, artists such as Delaunay were recognised in Paris for their value to a wider public.
Associated object
E.7-1980 (Part)
Other number
C.23270 - Previous number
Collection
Accession number
E.8-1980

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Record createdJune 30, 2009
Record URL
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