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Drawing

1830-1860
Artist/Maker
Place of origin

John Dibblee Crace first came to public notice through his Gothic- and Renaissance-style furniture for the International Exhibition of 1862. His clients included the 4th Marquess of Bath for whom he redocorated Longleat, and William Waldorf Astor who commissioned him to decorate Cliveden (ca. 1895).

The Crace family were the most important firm of interior decorators working in Britain in the 19th century. They worked for every British monarch from George III to Queen Victoria and on a range of buildings that includes royal palaces, Leeds Town Hall and the Great Exhibition building of 1862.

Object details

Categories
Object type
Materials and techniques
Brief description
Design for the decoration of an early 19th century galleried church; by J.D. Crace.
Physical description
Design for the decoration of an early 19th century galleried church, the lower range of columns Ionic, the upper Corinthian, showing the elevation of the galleries and a perspective view of the east end.
Dimensions
  • Height: 59cm
  • Width: 49.5cm
Object history
Presented by Mrs Eileen Crace
Summary
John Dibblee Crace first came to public notice through his Gothic- and Renaissance-style furniture for the International Exhibition of 1862. His clients included the 4th Marquess of Bath for whom he redocorated Longleat, and William Waldorf Astor who commissioned him to decorate Cliveden (ca. 1895).

The Crace family were the most important firm of interior decorators working in Britain in the 19th century. They worked for every British monarch from George III to Queen Victoria and on a range of buildings that includes royal palaces, Leeds Town Hall and the Great Exhibition building of 1862.
Bibliographic reference
Megan Aldrich, The Craces: royal decorators 1768-1899, London, Murray, 1990.
Collection
Accession number
E.764-1981

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Record createdJune 30, 2009
Record URL
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