Not currently on display at the V&A

Ko Kaw Tee (4 Footed Basket)

1948 (made)
Artist/Maker
Place of origin

It is circular at the top, and reduces to a rectangular shape at the bottom with a foot at each corner.
It has a band with a wavy motif between two corded bands near the top; the sides are decorated with four rectangular cartouches enclosing 4 tribal couples of Kengtung State. Four circular frames enclose different designs of a perching bird on bare branches. Shan crows decorate the feet. All in gold on black.
There is a gold disc with a Burmese inscription on the bottom saying it is of Shan State and giving the date and maker's name in gold.


Object details

Object type
Materials and techniques
Of bamboo basketry. Lacquered black inside and out, with gilded thayo (moulded thitsi lacquer) work.
Brief description
Burmese/Shan ko kaw tee (four footed basket) of bamboo basketry from Kengtung. Coated with black lacquer embellished with figurative and foliate motifs of gilded thayo (moulded lacquer) work. Made by Hsaya Maung Htun 1310 BE (1948 AD).
Physical description
It is circular at the top, and reduces to a rectangular shape at the bottom with a foot at each corner.
It has a band with a wavy motif between two corded bands near the top; the sides are decorated with four rectangular cartouches enclosing 4 tribal couples of Kengtung State. Four circular frames enclose different designs of a perching bird on bare branches. Shan crows decorate the feet. All in gold on black.
There is a gold disc with a Burmese inscription on the bottom saying it is of Shan State and giving the date and maker's name in gold.
Dimensions
  • Diameter: 13.4cm
  • Height: 10cm
Object history
Bought from Mrs. H.A. Hinds
Production
Previously dated 1920-1930. Redated to 1948 by Daw San San Maw; Ministry Archaeology, Rangoon, 1994

Attribution note: Kengtung is noted for producing this type of gilded container. It is in the shape of a pyi-daung (rice basket) as originally these receptacles were baskets with carrying straps and is called ko kaw tee in the Shan language. The tribal figures represent those from Kengtung state but still need identification.
The figures which are moulded in the round are of master quality in comparison to the low relief decoration which is mediocre.
Embellishments were added post 1885 and into the 20th century to attract Burmen and European buyers:-
a) High relief of the figures.
b) Signatures
Further information from Ralph Isaacs; March 2001
Collection
Accession number
IS.14-1979

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Record createdFebruary 7, 2001
Record URL
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