Cover
1700-1799 (made)
| Artist/Maker | |
| Place of origin |
From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Linen, embroidered with silk in double darning on the diagonal over six threads, double running in a line, satin and slanted satin stitch |
| Brief description | A linen cover embroidered with silk, Turkey, 18th century |
| Physical description | Cover, linen embroidered with silk in double darning on the diagonal over 6 threads, double running in a line, satin and slanted satin stitch. There is a fine blue embroidered line around all four sides. |
| Dimensions |
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| Style | |
| Credit line | Given by Mrs Muriel Thomson |
| Subject depicted | |
| Summary | From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. |
| Bibliographic reference | Illustrated in 'Ottoman Embroidery' by Marianne Ellis and Jennifer Wearden (V&A Publication, 2001); plate 68 |
| Collection | |
| Accession number | T.256-1934 |
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| Record created | February 7, 2001 |
| Record URL |
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