Dalziels' Bible Gallery
Print
1881 (made)
1881 (made)
| Artist/Maker | |
| Place of origin |
Wood engraving depicting a scene from the Bible. Each mount lettered with title and name of artist responsible for original drawing. Most plates lettered 'Dalziel Sc.' and some lettered with artists' initials or monograms and dated.
Object details
| Categories | |
| Object type | |
| Titles |
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| Materials and techniques | Wood engraving |
| Brief description | Print entitled 'Hagar And Ishmael' after a drawing by Simeon Solomon, from a volume entitled 'Dalziels' Bible Gallery', consisting of 62 plates after drawings by various artists, engraved by the Dalziel Brothers. Great Britain, 1881. |
| Physical description | Wood engraving depicting a scene from the Bible. Each mount lettered with title and name of artist responsible for original drawing. Most plates lettered 'Dalziel Sc.' and some lettered with artists' initials or monograms and dated. |
| Dimensions |
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| Credit line | Purchased with the assistance of the National Heritage Memorial Fund, Art Fund, Shell International and the Friends of the V&A |
| Production | This volume is No.446 of a limited edition of 1,000. |
| Subjects depicted | |
| Bibliographic reference | The following excerpts are taken from the GLBTQ Archive Encyclopedia, © 2015, glbtq, Inc.:
"Associated with the Pre-Raphaelites and the Aesthetic Movement of the late 19th century, Simeon Solomon lived a life marked by both stunning success and unfortunate tragedy. Significant in LGBTQ culture for living openly as a gay man in the Victorian period, at a time when it was not at all socially acceptable to do so, he wrote an important prose poem in 1870 that may be read as a defense of male-male desire. Privately published, it was entitled A Vision of Love Revealed in Sleep.
Around this time, he was also creating works depicting androgynous male figures who are representative of homoerotic love. The opening of the Dudley Gallery in London in 1865 allowed Solomon and other artists to exhibit works with more daring subjects than those accepted at the Royal Academy.
During these years Solomon created such works of homoerotic content as 'Sappho and Erinna in a Garden at Mytelene' (1864), 'Love among the School Boys' (1866), 'The Bride and Bridegroom' (1866), 'Sad Love' (1866), 'Love in Autumn' (1866), and two versions of 'Bacchus' (1866 and 1867).
Although he had earned recognition as an artist in his lifetime, Solomon's life and career deteriorated after his arrest for "buggery" in 1873. He may be seen as a victim of late 19th century English homophobia as he lived most of the remaining 32 years of his life as a social outcast and his work faded into oblivion after his death in 1905. It has only recently been re-examined". |
| Collection | |
| Accession number | SP.183:9 |
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| Record created | June 30, 2009 |
| Record URL |
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