Designs for two rococo fire screens which appeared as part of plate no.158 in The Gentleman and Cabinet Maker's Director (1762 ed.), Thomas Chippendale
Design
ca.1753-1762 (designed)
ca.1753-1762 (designed)
Artist/Maker | |
Place of origin |
These designs for two fire screens by Thomas Chippendale are the original designs for part of plate no.158 in The Gentleman and Cabinet Maker's Director (1762 ed.). The fire screens were engraved for the Director by the engraver W. Foster, whose signature appears on the plate but not on this original design.
Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906.
Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906.
Object details
Categories | |
Object type | |
Title | Designs for two rococo fire screens which appeared as part of plate no.158 in The Gentleman and Cabinet Maker's Director (1762 ed.), Thomas Chippendale (generic title) |
Materials and techniques | Pen and ink and wash on paper |
Brief description | Designs for two rococo fire screens, engraved and published in the Director (1762 ed.), pen, ink and wash on paper, ca.1753-1762, Thomas Chippendale |
Physical description | Two fire screen designs; the left-hand (labelled D) is smaller and more rococo with curved sides and a foliate head on the bottom cross-piece. The screen image is of two putti working a fire with bellows. The right fire screen is larger with straight sides and simpler. The screen image is of a peacock. Below is a side view of the leg of this right screen. These two are mounted in a composite with 2622. |
Dimensions |
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Style | |
Production type | Design |
Marks and inscriptions |
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Object history | This design came to the museum with a collection of single designs by Matthias Lock. They were bought from a descendant, George Lock, and had been exhibited by him at the International Exhibition held at South Kensington in 1862. The mixed nature of this Lock and Chippendale material has helped to fuel the idea that the two collaborated professionally. It has even been suggested that Lock ‘ghost’ designed for Chippendale, but it now seems more likely that he provided piece-work carving for Chippendale’s larger projects. |
Historical context | This design appeared as Plate 158 in the third edition of Chippendale's pattern-book The Gentleman and Cabinet-Maker's Director. |
Subject depicted | |
Summary | These designs for two fire screens by Thomas Chippendale are the original designs for part of plate no.158 in The Gentleman and Cabinet Maker's Director (1762 ed.). The fire screens were engraved for the Director by the engraver W. Foster, whose signature appears on the plate but not on this original design. Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906. |
Associated object | |
Bibliographic reference | The Gentleman and Cabinet Maker's Director, 1762, pl.158 |
Collection | |
Accession number | 2623 |
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Record created | June 30, 2009 |
Record URL |
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