Trousers
ca. 1855 (made)
Artist/Maker | |
Place of origin |
Wide legged 'mashru' trousers were fashionable female dress in Northern India during much of the 19th century. Unlike the tapering cut of the pyjama, these huge trousers have wide, straight legs, joined by a triangular insert to provide expansion. 'Mashru' is a satin weave cloth with a combination of a cotton weft and silk warp, the cotton weft being the lower layer in contact with the skin. The fabric was originally woven for Muslim men who were prohibited from wearing pure silk. 'Mashru' (meaning 'permitted' in Arabic) was woven all over India, though it survives today mainly in Gujarat.
The warp is a series of yarns extended lengthwise in a loom and crossed by the weft. Ikat is a type of weaving where the threads are tie-dyed before weaving to create designs on the finished fabric. The dyeing process begins with binding the resist areas with impermeable yarn or rubber bands. The precision of the wrapping determines the clarity of the design. After wrapping, the threads are dyed, however, the areas under the ties will remain the original colour. Numerous colours can be added after additional wrappings. When the dying process is complete, the warp threads are meticulously arranged on the loom to prepare the design. The natural movement during weaving gives ikat designs it characteristic feathered edge. Techniques with matching patterns on warp and weft are called double ikat.
The warp is a series of yarns extended lengthwise in a loom and crossed by the weft. Ikat is a type of weaving where the threads are tie-dyed before weaving to create designs on the finished fabric. The dyeing process begins with binding the resist areas with impermeable yarn or rubber bands. The precision of the wrapping determines the clarity of the design. After wrapping, the threads are dyed, however, the areas under the ties will remain the original colour. Numerous colours can be added after additional wrappings. When the dying process is complete, the warp threads are meticulously arranged on the loom to prepare the design. The natural movement during weaving gives ikat designs it characteristic feathered edge. Techniques with matching patterns on warp and weft are called double ikat.
Object details
Categories | |
Object type | |
Materials and techniques | Woven silk (warp) and cotton (weft), silver-wrapped and gold-wrapped thread and applied gold wire |
Brief description | Pair of wide legged trousers (paijama), striped silk and cotton (mashru), Udaipur, Rajasthan, ca. 1855 |
Physical description | Trousers, silk and cotton, mashru with ikat stripes in various colours, separated by narrow stripes of silver-wrapped thread. Waistband and ankles bordered with purple satin, ankles embellished with silver-wrapped and gold-wrapped thread and flattened gold wire decorations. |
Dimensions |
|
Object history | Transferred from India Museum 1879. India Museum Slip book entry 3739: 'Coat & Two Pairs of Trowsers / Choga &e &e / Oodypore / 55 / Cashmere Shawl Coat / Ornamented with Pearls & Stones / Delhi Work, plain trowsers of Mushroo of Benares. The [illegible] trowsers are of Satinet probably English or French. Deep Gold Ends to the Strings.' |
Historical context | Intended for use as a garment, clothing. |
Summary | Wide legged 'mashru' trousers were fashionable female dress in Northern India during much of the 19th century. Unlike the tapering cut of the pyjama, these huge trousers have wide, straight legs, joined by a triangular insert to provide expansion. 'Mashru' is a satin weave cloth with a combination of a cotton weft and silk warp, the cotton weft being the lower layer in contact with the skin. The fabric was originally woven for Muslim men who were prohibited from wearing pure silk. 'Mashru' (meaning 'permitted' in Arabic) was woven all over India, though it survives today mainly in Gujarat. The warp is a series of yarns extended lengthwise in a loom and crossed by the weft. Ikat is a type of weaving where the threads are tie-dyed before weaving to create designs on the finished fabric. The dyeing process begins with binding the resist areas with impermeable yarn or rubber bands. The precision of the wrapping determines the clarity of the design. After wrapping, the threads are dyed, however, the areas under the ties will remain the original colour. Numerous colours can be added after additional wrappings. When the dying process is complete, the warp threads are meticulously arranged on the loom to prepare the design. The natural movement during weaving gives ikat designs it characteristic feathered edge. Techniques with matching patterns on warp and weft are called double ikat. |
Bibliographic reference | Indian ikat textiles / Rosemary Crill. London: V&A Publications, 1998 Number: 1851772421
p.141, pl. 117 |
Other numbers |
|
Collection | |
Accession number | 05629:2(IS) |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 25, 2009 |
Record URL |
Download as: JSONIIIF Manifest