Tea Caddy
1700-1850 (made)
Artist/Maker | |
Place of origin |
Tea caddy (natsume) of ovoid form, rising up and out in a gentle curve from a flat base before coming together slightly towards the sharply-angled shoulder, from which rises a short, gently inward-curving neck, finishing with a mouth at the top, in which sits a removeable ivory lid with a small knob. The body is of kanshitsu (dry-lacquer) consisting of layers of hemp soaked in lacquer over a mould, each layer being allowed to dry completely before the next is applied, the mould being removed subsequently. The body is covered in brown lacquer imitating glaze-covered Takatori stoneware, complete with a simulated glaze drip, except for the lower part of the body which is left 'unglazed', leaving the simulated ceramic body visible; there is also a rough line around the middle of the jar, suggesting a join in the top and bottom of the clay body of the original clay model.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | <i>Kanshitsu</i> (dry-lacquer) body covered in brown lacquer imitating glazed stoneware with ivory |
Brief description | Tea caddy, brown lacquer imitating glazed stoneware with an ivory lid, Japan, 1700-1850 |
Physical description | Tea caddy (natsume) of ovoid form, rising up and out in a gentle curve from a flat base before coming together slightly towards the sharply-angled shoulder, from which rises a short, gently inward-curving neck, finishing with a mouth at the top, in which sits a removeable ivory lid with a small knob. The body is of kanshitsu (dry-lacquer) consisting of layers of hemp soaked in lacquer over a mould, each layer being allowed to dry completely before the next is applied, the mould being removed subsequently. The body is covered in brown lacquer imitating glaze-covered Takatori stoneware, complete with a simulated glaze drip, except for the lower part of the body which is left 'unglazed', leaving the simulated ceramic body visible; there is also a rough line around the middle of the jar, suggesting a join in the top and bottom of the clay body of the original clay model. |
Dimensions |
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Gallery label |
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Credit line | Given by the Misses Alexander |
Subject depicted | |
Collection | |
Accession number | W.82-1916 |
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Record created | June 25, 2009 |
Record URL |
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