II. Divine Kingship
Print
1984 (made)
1984 (made)
Artist/Maker | |
Place of origin |
In 1897, following a series of frustrated attempts to end a monopoly on palm oil and various other commodities held by the Oba (king) of Benin, the British led a punitive raid on Benin City. Justification for this brutal event was sought, in the British press, by depicting the Oba and his people as ‘savages’ who practised human sacrifice. However, the elaborately carved ivories and cast brass plaques and sculpture seized from the royal court, and dispersed to British museum collections, were evidence of a sophisticated and technologically-advanced society.
This unsavoury aspect of British history was reflected on by artist Tony Phillips in a 1984 series of etchings, History of the Benin Bronzes. In this image, the second in the suite of twelve plates, we see the head of the Oba in royal situ, flanked by two leopards. Leopards, in Benin cosmology, were symbols of royal power.
This unsavoury aspect of British history was reflected on by artist Tony Phillips in a 1984 series of etchings, History of the Benin Bronzes. In this image, the second in the suite of twelve plates, we see the head of the Oba in royal situ, flanked by two leopards. Leopards, in Benin cosmology, were symbols of royal power.
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Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Etching, printed in brown, tinted with pink wash |
Brief description | 'Divine Kingship', etching from the series 'History of the Benin Bronzes', Tony Phillips, 1984 |
Physical description | Etching depicting the head of the Oba in royal situ, flanked by two leopards. Leopards, in Benin cosmology, were symbols of royal power. |
Dimensions |
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Copy number | Plate II of XII |
Subjects depicted | |
Summary | In 1897, following a series of frustrated attempts to end a monopoly on palm oil and various other commodities held by the Oba (king) of Benin, the British led a punitive raid on Benin City. Justification for this brutal event was sought, in the British press, by depicting the Oba and his people as ‘savages’ who practised human sacrifice. However, the elaborately carved ivories and cast brass plaques and sculpture seized from the royal court, and dispersed to British museum collections, were evidence of a sophisticated and technologically-advanced society. This unsavoury aspect of British history was reflected on by artist Tony Phillips in a 1984 series of etchings, History of the Benin Bronzes. In this image, the second in the suite of twelve plates, we see the head of the Oba in royal situ, flanked by two leopards. Leopards, in Benin cosmology, were symbols of royal power. |
Associated objects | |
Collection | |
Accession number | E.49-1987 |
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Record created | July 27, 2000 |
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