Drawing
1840-1870 (made)
Artist/Maker | |
Place of origin |
This architectural sketch belongs to a portfolio of 238 designs on paper, once owned by a working architect in Qajar Tehran, in nineteenth-century Iran. There are two complete paper scrolls, and 236 smaller designs, most of which were cut down from other scrolls. They are a rare survival. The drawings vary in style and content, showing a range of designs proposed for tilework, stucco and woodwork, as well as architectural groundplans and elevations. Some reflect Iranian traditions of long standing, while others show decorative fashions imported from Europe. They are probably the work of several different individuals.
The drawings were acquired for the Museum in 1875 by Caspar Purdon Clarke, an architect who later became Director of the V&A. In 1874-75, Purdon Clarke was in Tehran, renovating the British embassy buildings. During the project, this drawing series was presented to Purdon Clarke by the local master-builders he was working with. He reported later that this was not a sale but an exchange, in acknowledgement of his teaching some European building-techniques to his Tehran colleagues. The two master-builders, Ostad Khodadad and Ostad Akbar, explained that the portfolio had belonged to the late Mirza Akbar, a court architect active in Tehran earlier in the century.
The drawings were acquired for the Museum in 1875 by Caspar Purdon Clarke, an architect who later became Director of the V&A. In 1874-75, Purdon Clarke was in Tehran, renovating the British embassy buildings. During the project, this drawing series was presented to Purdon Clarke by the local master-builders he was working with. He reported later that this was not a sale but an exchange, in acknowledgement of his teaching some European building-techniques to his Tehran colleagues. The two master-builders, Ostad Khodadad and Ostad Akbar, explained that the portfolio had belonged to the late Mirza Akbar, a court architect active in Tehran earlier in the century.
Object details
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Object type | |
Materials and techniques | Drawing in graphite and ink on paper, consisting of scrolling arabesque patterns set with more or less recognisable flowers and leaves, depicted individually or in sprays, combined with sections of mouldings with a variety of profiles. There are also blank spaces that would have allowed for the insertion of small paintings, pieces of mirror etc. in a way that is familiar from surviving architectural decoration of the Qajar period. It is noticeable that there is no repetition or symmetry in the drawing, even though these are essential features of surviving architectural decoration of the period. This suggests that the sheet does not contain a single design but is a “source book” of ideas for someone creating decoration in this mode of ornament. |
Brief description | Architectural drawing, graphite and ink on paper, attributed to Mirza Akbar, Iran, 1840-1870 |
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Summary | This architectural sketch belongs to a portfolio of 238 designs on paper, once owned by a working architect in Qajar Tehran, in nineteenth-century Iran. There are two complete paper scrolls, and 236 smaller designs, most of which were cut down from other scrolls. They are a rare survival. The drawings vary in style and content, showing a range of designs proposed for tilework, stucco and woodwork, as well as architectural groundplans and elevations. Some reflect Iranian traditions of long standing, while others show decorative fashions imported from Europe. They are probably the work of several different individuals. The drawings were acquired for the Museum in 1875 by Caspar Purdon Clarke, an architect who later became Director of the V&A. In 1874-75, Purdon Clarke was in Tehran, renovating the British embassy buildings. During the project, this drawing series was presented to Purdon Clarke by the local master-builders he was working with. He reported later that this was not a sale but an exchange, in acknowledgement of his teaching some European building-techniques to his Tehran colleagues. The two master-builders, Ostad Khodadad and Ostad Akbar, explained that the portfolio had belonged to the late Mirza Akbar, a court architect active in Tehran earlier in the century. |
Bibliographic references |
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Other number | 8278 - Previous number |
Collection | |
Accession number | AL.8278:1 |
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Record created | June 25, 2009 |
Record URL |
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