Not currently on display at the V&A

Spiritual Conceits

Book Illustration
1862 (published)
Artist/Maker
Place Of Origin

Oval book illustration in the centre of which is an hourglass hanging over water.

Proof of book illustration opposite 'Sic Vita' by Henry King on 170 p. for 'Spiritual Conceits'. W.Harry Rogers drew on wood for this engraving to be made by the wood-engraver Joseph Swain.

'For what is your life? It is even a vapour, that appeareth for a little time, and then vanisheth away.' James, iv, 14.

There is a sharp crease above the top and through the bottom of the book illustration.

'Spiritual Conceits' extracted from the Writings of the fathers, the Old English poets, ec. (sic) & illustrated by W. Harry Rogers London (Griffith & Farran, corner of St. Paul's Churchyard 1862 MDCCCLVII'


object details
Categories
Object Type
Materials and Techniques
Wood engraving on laid paper
Brief Description
Book illustration to 'Spiritual Conceits', 1862, designed by W. Harry Rogers and engraved on wood by Joseph Swain.
Physical Description
Oval book illustration in the centre of which is an hourglass hanging over water.



Proof of book illustration opposite 'Sic Vita' by Henry King on 170 p. for 'Spiritual Conceits'. W.Harry Rogers drew on wood for this engraving to be made by the wood-engraver Joseph Swain.



'For what is your life? It is even a vapour, that appeareth for a little time, and then vanisheth away.' James, iv, 14.



There is a sharp crease above the top and through the bottom of the book illustration.



'Spiritual Conceits' extracted from the Writings of the fathers, the Old English poets, ec. (sic) & illustrated by W. Harry Rogers London (Griffith & Farran, corner of St. Paul's Churchyard 1862 MDCCCLVII'
Dimensions
  • Height: 21cm
  • Width: 16.2cm
Credit line
Purchased with the Assistance of the Friends of the National Libraries
Object history
Historical significance: These book illustrations are part of the W.Harry Rogers Archive and to quote the information on the archive provided by 'RW' on 6 February 1998 on the registered file 1997/1476:-

'It is extraordinarily rare to have this kind of documentation at this level of production for the middle decades of the 19th century. The fact the (sic) the state of the designs ranges from rough sketches to finished drawings and proofs allows the pieces to document the design process very closely.'
Production
'the fact that the editor and the artist are the same person is, probably a novel feature.' from 'To the Reader' introduction by W. Harry Rogers.
Bibliographic References
  • Engen, Rodney K. 'Dictionary of Victorian Wood Engravers'. Cambridge: Chadwyck-Healey, 1985. 223 p. and 251 p. ISBN 0859641392
  • Houfe, Simon 'The Dictionary of British Book Illustrators and Caricaturists'. Woodbridge, Suffolk: Baron Publishing, Antique Collectors' Club, revised 1981 437 p. ISBN 0902028731
  • Ball, Douglas 'Victorian Publishers' Bindings.' London: The Library Association, 1985. 90 p. and 155 p.
Collection
Accession Number
E.1116-1998

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record createdMay 25, 2000
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