Not currently on display at the V&A

Bowl

ca. 1920-1980 (made)
Artist/Maker
Place of origin

Tea bowls of this style became popular and widely sought after by the social elite during the Northern Song period (960-1127), when the practice of tea drinking became extremely refined. These bowls were not only sought after in China, but also in Japan, This type of ware is often referred to as 'Jian ware' after their place of production in Fujian province or 'Temmoku', the latter being a Japanese term.

Southern black ware glazes were very sensitive to the effects of glaze application, kiln temperature and the amount of oxygen present in the atmosphere during firing. A wide variety of different effects were created using black glaze of essentially the same composition.

Bowls with streaked 'Hare's fur' glazes are the most common types of Jian ware. This bowl exhibits a different kind of glaze known as 'Oil spot'. This effect was achieved when the kiln temperature began to fall quickly while the glaze was still boiling; this fixed the iron rich spots before they could run into streaks.

Oil spot bowls from the Jian kilns are rare and much sought after. However, this decorative effect was copied in Northern China using an iron rich slip beneath the glaze in the Song and Jin dynasties. Jian black wares are still made in Fujian today.


Object details

Categories
Object type
Materials and techniques
Stoneware, thrown, glazed and fired
Brief description
Cer, China, 20th century, Jian ware black glazed oil spot
Physical description
Thickly potted stone ware bowl with gently curving sides and inwardly turned lip. Covered in a thick, shiny black glaze with 'oil spots'. The foot is unglazed.
Dimensions
  • Height: 7cm
  • Diameter: 12cm
Style
Production typeMass produced
Credit line
Given by Mr P. H. D. S. Wikramaratna, in memory of his wife Nancy
Summary
Tea bowls of this style became popular and widely sought after by the social elite during the Northern Song period (960-1127), when the practice of tea drinking became extremely refined. These bowls were not only sought after in China, but also in Japan, This type of ware is often referred to as 'Jian ware' after their place of production in Fujian province or 'Temmoku', the latter being a Japanese term.

Southern black ware glazes were very sensitive to the effects of glaze application, kiln temperature and the amount of oxygen present in the atmosphere during firing. A wide variety of different effects were created using black glaze of essentially the same composition.

Bowls with streaked 'Hare's fur' glazes are the most common types of Jian ware. This bowl exhibits a different kind of glaze known as 'Oil spot'. This effect was achieved when the kiln temperature began to fall quickly while the glaze was still boiling; this fixed the iron rich spots before they could run into streaks.

Oil spot bowls from the Jian kilns are rare and much sought after. However, this decorative effect was copied in Northern China using an iron rich slip beneath the glaze in the Song and Jin dynasties. Jian black wares are still made in Fujian today.
Collection
Accession number
FE.39-2008

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Record createdJune 25, 2009
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