Bowl
ca. 1920-1980 (made)
Artist/Maker | |
Place of origin |
Tea bowls of this style became popular and widely sought after by the social elite during the Northern Song period (960-1127), when the practice of tea drinking became extremely refined. These bowls were not only sought after in China, but also in Japan, This type of ware is often referred to as 'Jian ware' after their place of production in Fujian province or 'Temmoku', the latter being a Japanese term.
Southern black ware glazes were very sensitive to the effects of glaze application, kiln temperature and the amount of oxygen present in the atmosphere during firing. A wide variety of different effects were created using black glaze of essentially the same composition.
Bowls with streaked 'Hare's fur' glazes are the most common types of Jian ware. This bowl exhibits a different kind of glaze known as 'Oil spot'. This effect was achieved when the kiln temperature began to fall quickly while the glaze was still boiling; this fixed the iron rich spots before they could run into streaks.
Oil spot bowls from the Jian kilns are rare and much sought after. However, this decorative effect was copied in Northern China using an iron rich slip beneath the glaze in the Song and Jin dynasties. Jian black wares are still made in Fujian today.
Southern black ware glazes were very sensitive to the effects of glaze application, kiln temperature and the amount of oxygen present in the atmosphere during firing. A wide variety of different effects were created using black glaze of essentially the same composition.
Bowls with streaked 'Hare's fur' glazes are the most common types of Jian ware. This bowl exhibits a different kind of glaze known as 'Oil spot'. This effect was achieved when the kiln temperature began to fall quickly while the glaze was still boiling; this fixed the iron rich spots before they could run into streaks.
Oil spot bowls from the Jian kilns are rare and much sought after. However, this decorative effect was copied in Northern China using an iron rich slip beneath the glaze in the Song and Jin dynasties. Jian black wares are still made in Fujian today.
Object details
Categories | |
Object type | |
Materials and techniques | Stoneware, thrown, glazed and fired |
Brief description | Cer, China, 20th century, Jian ware black glazed oil spot |
Physical description | Thickly potted stone ware bowl with gently curving sides and inwardly turned lip. Covered in a thick, shiny black glaze with 'oil spots'. The foot is unglazed. |
Dimensions |
|
Style | |
Production type | Mass produced |
Credit line | Given by Mr P. H. D. S. Wikramaratna, in memory of his wife Nancy |
Summary | Tea bowls of this style became popular and widely sought after by the social elite during the Northern Song period (960-1127), when the practice of tea drinking became extremely refined. These bowls were not only sought after in China, but also in Japan, This type of ware is often referred to as 'Jian ware' after their place of production in Fujian province or 'Temmoku', the latter being a Japanese term. Southern black ware glazes were very sensitive to the effects of glaze application, kiln temperature and the amount of oxygen present in the atmosphere during firing. A wide variety of different effects were created using black glaze of essentially the same composition. Bowls with streaked 'Hare's fur' glazes are the most common types of Jian ware. This bowl exhibits a different kind of glaze known as 'Oil spot'. This effect was achieved when the kiln temperature began to fall quickly while the glaze was still boiling; this fixed the iron rich spots before they could run into streaks. Oil spot bowls from the Jian kilns are rare and much sought after. However, this decorative effect was copied in Northern China using an iron rich slip beneath the glaze in the Song and Jin dynasties. Jian black wares are still made in Fujian today. |
Collection | |
Accession number | FE.39-2008 |
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Record created | June 25, 2009 |
Record URL |
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