CD 100
Table Heater
1978 (made), 1961 (designed)
1978 (made), 1961 (designed)
Artist/Maker | |
Place of origin |
Robert Welch (1929-2000) was trained at the Birmingham School of Art under Ralph Baxendale and Cyril Shiner. From 1952 to 1955 he was at the Royal College of Art, after which he was appointed as design consultant to J.J. Wiggin of Bloxwich, manufacturers of stainless steel tableware. Throughout his career he undertook many industrial design commissions (he designed the stainless steel tableware for the Orient liner <font –I>Oriana</font>) while continuing to practise as a silversmith.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Title | CD 100 (series title) |
Materials and techniques | Cast iron |
Brief description | Table heater, cast iron, made by Victor Castings Ltd., Tipton, 1978, designed by Robert Welch, 1961. |
Physical description | Table heater of cast iron, patinated black. A squat cylinder supported on three, hemispherical feet, a wide falnge encirles the middle of the body, the circular candle holder holding a tea light is in the centre supported by three spokes attached to the internal circumference of the main body, the upper edge of ehich has three, equally place cut out sections. The body supports a circular plate (detachable) with a central, circular aperture from which radiates a continuous series of spokes. |
Dimensions |
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Style | |
Production type | Mass produced |
Marks and inscriptions |
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Credit line | Given by Victor Castings Ltd |
Historical context | Robert Welch's interest in cast iron dates from 1960. Although a common enough material in the manufacture of kitchen implements, it was at that time a new material for tableware. Its use for items suited to a dinner party is probably linked to the interest in 'natural' and unadorned materials suited to the growing habit of dining in the kitchen. Welch's first range of products in black iron included a set of three candlesticks, pepper and salt mills and a fruit stand as well as this nutcracker. The curved flange forms, and, in this case, the bar-bell screw press, are reminiscent of the bold simple shapes of nineteenth century engineering. They proved to be adaptable to a wide variety of applications which in time formed a large number of related pieces. Interest from export markets, principally Denmark and the USA, was immediate when this range was launched in 1962. [Eric Turner, 'British Design at Home', p.179] |
Summary | Robert Welch (1929-2000) was trained at the Birmingham School of Art under Ralph Baxendale and Cyril Shiner. From 1952 to 1955 he was at the Royal College of Art, after which he was appointed as design consultant to J.J. Wiggin of Bloxwich, manufacturers of stainless steel tableware. Throughout his career he undertook many industrial design commissions (he designed the stainless steel tableware for the Orient liner <font –I>Oriana</font>) while continuing to practise as a silversmith. |
Bibliographic reference | Charlotte and Peter Fiell, Robert Welch, Design: Craft and Industry, London, Laurence King Publishing, 2015, pp.97. ill. ISBN: 9781780676050 |
Collection | |
Accession number | M.203-1978 |
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Record created | June 24, 2009 |
Record URL |
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