Inkstand
1550-1560 (made)
Artist/Maker | |
Place of origin |
Renaissance merchants were expected to write beautifully and keep careful track of their accounts. They were often painted sitting with writing tools such as this finely decorated inkstand. It is fitted with pots to hold ink which was made by boiling oak galls with iron filings and adding gum arabic to bind it.
This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron.
This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron.
Object details
Categories | |
Object type | |
Materials and techniques | Iron, gold, silver, damascening |
Brief description | Rectangular inkstand, iron, blued and damascened with gold and silver, Italy (probably Venice), 1550-1560. |
Physical description | Rectangular casket of iron plaques damascened with gold and silver, the underside with worn damascened decoration in silver only. Four silver ball feet applied later; the gilded frame enclosing the casket plaques probably later. Casket lid lifts to reveal four compartments: one long, oval, one in front of which are three smaller oval compartments with damascened lids. The underside of the casket lid also damascened. |
Dimensions |
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Gallery label |
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Credit line | Bequeathed by George Salting |
Summary | Renaissance merchants were expected to write beautifully and keep careful track of their accounts. They were often painted sitting with writing tools such as this finely decorated inkstand. It is fitted with pots to hold ink which was made by boiling oak galls with iron filings and adding gum arabic to bind it. This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron. |
Bibliographic references |
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Collection | |
Accession number | M.666-1910 |
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Record created | June 24, 2009 |
Record URL |
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