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Communion Cup

1831 (marked)
Artist/Maker
Place of origin

Object Type
The shape of this cup is that of a traditional Protestant communion cup. A communion cup was used to give wine consecrated during the Eucharist to the congregation. After the Reformation, most Roman Catholic chalices were converted into or replaced by communion cups. Although chalices and communion cups have the same function, their shape is often different, as is the role of communion wine in the Protestant and Roman Catholic traditions.

Design & Designing
Gothic arches and foliage decorate the bowl and foot. The Gothic designs of the Middle Ages regained popularity in the late 18th century and 19th after the long preference for design from the Classical sources of ancient Greece and Rome. One of the major proponents of the Gothic style was the architect and designer A.W.N. Pugin (1812-1852), who insisted it was the only style fit for a Christian country.

People
The cup forms part of a service of plate presented to the parish church of Mapledurham, Oxfordshire, in 1831 by its vicar, the Reverend Lord Augustus Fitz-Clarence (1805-1854). Lord Augustus, the illegitimate fifth son of William, Duke of Clarence (who reigned as William IV, 1830-1837), by Mrs Dora Jordan, a well-known actress, was appointed to the living under the patronage of the Crown in 1829.

Edward Barnard & Sons, who made this set of church silver, were the successors to a major silversmithing firm established in London around 1689 by Anthony Nelme (active 1672-1722).

Object details

Categories
Object type
Materials and techniques
Silver-gilt raised, chased and engraved
Brief description
Silver-gilt; London, 1831. Maker's mark of Edward Barnard & Sons; Church plate, English
Physical description
Silver-gilt communion cup with applied Gothic arcading on the cup, supported on a baluster stem with trumpet-shaped foot. Engraved with the Sacred Monogram and the Royal Arms
Dimensions
  • Height: 11cm (of cup)
weight 690.8 grams; 20.39 ounces
Marks and inscriptions
IHS (Sacred Monogram)
Transliteration
The abbreviation of the sacred name of Jesus in Greek
Gallery label
(1996)
Until about 1835, designers were quite happy to apply Gothic architectural ornament to objects of traditional shape. In this cup, the basic 18th-century form of communion cup and standing paten has been given a Gothic character by the application of pointed arcading in relief.
Credit line
Lent by Mapledurham Church by the Rector and churchwardens of Caversham, Reading, Berkshire
Object history
Presented to Mapledurham Church, Oxfordshire in 1831 by the Vicar, the Reverend Lord Augustus Fitz-Clarence (1805-1854), an illegitimate son of William IV
Historical context
The set includes an English Liturgy from the Book of Common Prayer in a green plush cover with silver-gilt mounts bearing the London hallmarks for 1831/2
Associations
Summary
Object Type
The shape of this cup is that of a traditional Protestant communion cup. A communion cup was used to give wine consecrated during the Eucharist to the congregation. After the Reformation, most Roman Catholic chalices were converted into or replaced by communion cups. Although chalices and communion cups have the same function, their shape is often different, as is the role of communion wine in the Protestant and Roman Catholic traditions.

Design & Designing
Gothic arches and foliage decorate the bowl and foot. The Gothic designs of the Middle Ages regained popularity in the late 18th century and 19th after the long preference for design from the Classical sources of ancient Greece and Rome. One of the major proponents of the Gothic style was the architect and designer A.W.N. Pugin (1812-1852), who insisted it was the only style fit for a Christian country.

People
The cup forms part of a service of plate presented to the parish church of Mapledurham, Oxfordshire, in 1831 by its vicar, the Reverend Lord Augustus Fitz-Clarence (1805-1854). Lord Augustus, the illegitimate fifth son of William, Duke of Clarence (who reigned as William IV, 1830-1837), by Mrs Dora Jordan, a well-known actress, was appointed to the living under the patronage of the Crown in 1829.

Edward Barnard & Sons, who made this set of church silver, were the successors to a major silversmithing firm established in London around 1689 by Anthony Nelme (active 1672-1722).
Collection
Accession number
LOAN:MAPLEDURHAM CH.2

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Record createdJune 24, 2009
Record URL
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