This object or record includes culturally sensitive imagery or text influenced by racial stereotyping. Stereotypes such as these have played a significant role in continuing harmful racist attitudes.
Oh, isn't it lovely
Birthday Postcard
1920-1925 (made)
1920-1925 (made)
Artist/Maker |
Birthday postcard, of portrait proportions. The obverse shows a colour print of a girl in a white dress, with a dog wearing a red, white and blue bow, and a teddy bear and golly dressed as British soldiers of the First World War.
Object details
Categories | |
Object type | |
Title | Oh, isn't it lovely (manufacturer's title) |
Materials and techniques | Colour-printed card |
Brief description | Birthday postcard; Agnes Richardson for Raphael Tuck & Sons, UK, 1920-25 |
Physical description | Birthday postcard, of portrait proportions. The obverse shows a colour print of a girl in a white dress, with a dog wearing a red, white and blue bow, and a teddy bear and golly dressed as British soldiers of the First World War. |
Dimensions |
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Production type | Mass produced |
Marks and inscriptions | |
Credit line | Given by Eileen A. Brock |
Object history | Given to the donor, Eileen Brock (b.1915) [RF:87/1705] The original golly was a central character in a series of books published between 1895 and 1909. Bertha Upton (1849–1912) wrote the books and her daughter, Florence Kate Upton (1873–1922), illustrated them. They based the character ‘Golliwogg’ (as it was originally spelled) on a doll Florence owned as a child growing up in 1880s America. The appearance and clothing of the doll (see B.493-1997) is based on the ‘blackface minstrel’ figure, a 19th-century racial caricature of African Americans. Blackface minstrel shows were performed by white actors and singers, who parodied African Americans by darkening their skins with shoe polish or burnt cork. These portrayals perpetuated many negative stereotypes and were steeped in racism. The shows originated in the USA, with the first widely known blackface character, ‘Jim Crow’, appearing around 1830. Soon after it became popular in the UK, which developed its own blackface traditions. Florence moved to the UK in the 1890s, where the Uptons’ books became very popular. Their Golliwogg character was not copyrighted, allowing multiple representations of the golly to enter the public domain. The character featured in British toys, games, textiles, ceramics and children’s books, and was used as a mascot by the food manufacturer, Robertson’s, from about 1910. From the 1980s the character’s popularity began to wane as campaigners fought against the racist stereotypes that the golly represented. Robertson’s continued to promote the figure as part of a British ‘national tradition’ until 2001, when they stopped using the golly in their branding. |
Subjects depicted | |
Collection | |
Accession number | B.488-1993 |
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Record created | April 19, 2000 |
Record URL |
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