Moulding
1700-1725 (made)
Artist/Maker | |
Place of origin |
This moulding was originally made as part of a panelled room in the early eighteenth century. In such rooms, even the smaller mouldings were carefully carved and apprentices would have started work on such elements before progressing to more complex carving. The moulding is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Materials and techniques | Oak, carved, painted and gilded |
Brief description | Portion of moulding, of oak, carved, painted and gilt, with a concave frieze of acanthus foliage below projecting mouldings |
Physical description | Portion of moulding, of oak, carved, painted and gilt, with a concave frieze of acanthus foliage below projecting mouldings |
Dimensions |
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Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | This moulding was originally made as part of a panelled room in the early eighteenth century. In such rooms, even the smaller mouldings were carefully carved and apprentices would have started work on such elements before progressing to more complex carving. The moulding is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.662-1921 |
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Record created | June 24, 2009 |
Record URL |
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