Orphrey Panel
1380-1410 (made)
Artist/Maker | |
Place of origin |
Orphrey panel, originally from a chasuble of a cope, is of linen embroidered in silver, silver-gilt and silks in underside couching, split stitch and with a little raised work. Depicts a scene from the life of St Thomas of Canterbury, showing Thomas (after having fled from England in 1163) being received by Pope Alexander III. At the right is the seated figure of Pope Alexander with a triple pointed crown. His right hand is raised in benediction, and his left hand touches Thomas's right hand. St Thomas kneels before the Pope with his hands clasped together. Standing behind and to the left of Thomas is a deacon holding a crozier in his left hand and a book in his right. The figures are seen beneath a cinquefoil ogee arch with twisted columns and large crockets and finials.
The gold background is worked with a lozenge diaper pattern. Edged with woven metal braid (possibly 19th or 20th century) and mounted on backboard. Small areas have been re-embroidered in coarser embroidery thread and coarser stitches than the original.
The gold background is worked with a lozenge diaper pattern. Edged with woven metal braid (possibly 19th or 20th century) and mounted on backboard. Small areas have been re-embroidered in coarser embroidery thread and coarser stitches than the original.
Object details
Categories | |
Object type | |
Materials and techniques | Linen embroidered in silver, silver-gilt and silk threads, and edged with metal braid |
Brief description | Orphrey panel of linen embroidered in silver, silver-gilt and silk threads, made in England, 1380-1410 |
Physical description | Orphrey panel, originally from a chasuble of a cope, is of linen embroidered in silver, silver-gilt and silks in underside couching, split stitch and with a little raised work. Depicts a scene from the life of St Thomas of Canterbury, showing Thomas (after having fled from England in 1163) being received by Pope Alexander III. At the right is the seated figure of Pope Alexander with a triple pointed crown. His right hand is raised in benediction, and his left hand touches Thomas's right hand. St Thomas kneels before the Pope with his hands clasped together. Standing behind and to the left of Thomas is a deacon holding a crozier in his left hand and a book in his right. The figures are seen beneath a cinquefoil ogee arch with twisted columns and large crockets and finials. The gold background is worked with a lozenge diaper pattern. Edged with woven metal braid (possibly 19th or 20th century) and mounted on backboard. Small areas have been re-embroidered in coarser embroidery thread and coarser stitches than the original. |
Dimensions |
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Credit line | Purchased with the assistance of the Horn Bequest |
Object history | Purchased. Registered File number 1987/707. One of two parts with T.5A-1988. The two panels were known to have been in Venice at one time, and as the cult of St Thomas was particularly important in Italy, the orphrey may have been exported there shortly after its production. Works such as this one which depict Thomas Becket are rare, as many were destroyed during the Reformation. |
Subjects depicted | |
Associated object | T.5A-1988 (Part) |
Bibliographic reference | King, Donald. Opus Anglicanum: English medieval embroidery. London: Arts Council of Great Britain, 1963 |
Collection | |
Accession number | T.5-1988 |
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Record created | June 24, 2009 |
Record URL |
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