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Not currently on display at the V&A

Waistcoat

1615-1620 (made)
Artist/Maker
Place of origin

Embroidered waistcoats were worn by middle-class women and by aristocratic women for informal dress in the late 16th and early 17th century. Blackwork or multi-coloured embroidery were popular forms of decoration. The pattern of scrolling stems bearing leaves and flowers was popular in late Elizabethan and Jacobean embroidery.

Like other examples of blackwork in black silk, the embroidery threads are disintegrating. This is because iron was used as a mordant or fixative for the black dye. It eventually oxidises causing the silk thread to crumble. The holes where the embroidery silk once went remain, allowing the design of the embroidery to be seen even where the thread is now lost.


Object details

Categories
Object type
Materials and techniques
Linen, silk; hand-woven, hand-sewn, hand embroidered
Brief description
Woman's waistcoat of linen blackwork, 1615-1620, English
Physical description
Woman’s waistcoat of fine bleached linen embroidered with black silk floss. It has a high round neck with a round collar at the back and long, curving, 2-piece sleeves. The skirts below the waist are shaped with 5 triangular gores inserted at the hem. The outlines of the blackwork are worked in back and plaited-braid stitches, in a pattern of scrolling stems bearing flowers and leaves which are filled with simple counted thread running stitches and lines of backstitch.

A cotton lining has been added later for display.
Dimensions
  • Overall length: 44.3cm (approx)
  • Bust under armholes circumference: 84.5cm (approx)
Style
Subjects depicted
Summary
Embroidered waistcoats were worn by middle-class women and by aristocratic women for informal dress in the late 16th and early 17th century. Blackwork or multi-coloured embroidery were popular forms of decoration. The pattern of scrolling stems bearing leaves and flowers was popular in late Elizabethan and Jacobean embroidery.

Like other examples of blackwork in black silk, the embroidery threads are disintegrating. This is because iron was used as a mordant or fixative for the black dye. It eventually oxidises causing the silk thread to crumble. The holes where the embroidery silk once went remain, allowing the design of the embroidery to be seen even where the thread is now lost.
Collection
Accession number
CIRC.541-1923

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Record createdJune 24, 2009
Record URL
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