Panel
1933-1938 (made)
Artist/Maker | |
Place of origin |
Early 20th century Paris was gripped by a passion for all things ‘African’ and celebrated aspects of Black culture through music, art and design. This interest in the exotic contributed to the development of the design style known as Art Deco. Art Deco artists and designers were also influenced by the African objects which had begun to appear in European homes and exhibitions. They attempted to replicate aspects of African design through using bold colour palettes and strong abstract or geometric patterns.
The Art Deco style was picked up by artists and designers in Britain where this sand-blasted glass panel was produced. In its bold design of a silhouetted African woman in profile, alongside a simplified strand of foliage, the panel typifies many of the features associated with Art Deco. Modern manufacturing techniques, such as those pioneered by Pilkington Glass, the maker of this piece, made the design style accessible to a broader range of people.
The Art Deco style was picked up by artists and designers in Britain where this sand-blasted glass panel was produced. In its bold design of a silhouetted African woman in profile, alongside a simplified strand of foliage, the panel typifies many of the features associated with Art Deco. Modern manufacturing techniques, such as those pioneered by Pilkington Glass, the maker of this piece, made the design style accessible to a broader range of people.
Object details
Categories | |
Object type | |
Materials and techniques | Sand-blasted glass |
Brief description | Panel, sand-blasted black glass, Britain (St Helens), designed by Sigmund Pollitzer, at Pilkington Ltd, 1933-38 |
Physical description | Sand-blasted black glass plaque featuring bold design of a silhouetted African woman in profile, alongside a simplified strand of foliage. |
Dimensions |
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Style | |
Gallery label |
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Credit line | Bequeathed by C.J. Corbett Palmer |
Object history | Sigmund Pollitzer designed sand-blasted decorative glass panels for the 'Glass Age Train' in 1937. Earlier, Pilkington exhibited black glass panels (black vitrolite) at the 'British Art in Industry' exhibition at the Royal Academy in 1935. Bequest C. J. Corbett Palmer 26.09.1991 |
Summary | Early 20th century Paris was gripped by a passion for all things ‘African’ and celebrated aspects of Black culture through music, art and design. This interest in the exotic contributed to the development of the design style known as Art Deco. Art Deco artists and designers were also influenced by the African objects which had begun to appear in European homes and exhibitions. They attempted to replicate aspects of African design through using bold colour palettes and strong abstract or geometric patterns. The Art Deco style was picked up by artists and designers in Britain where this sand-blasted glass panel was produced. In its bold design of a silhouetted African woman in profile, alongside a simplified strand of foliage, the panel typifies many of the features associated with Art Deco. Modern manufacturing techniques, such as those pioneered by Pilkington Glass, the maker of this piece, made the design style accessible to a broader range of people. |
Bibliographic references |
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Other number | 9541 - Glass gallery number |
Collection | |
Accession number | C.230-1991 |
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Record created | December 13, 1997 |
Record URL |
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