The Rape of the Sabines
Relief
1743 (made)
1743 (made)
Artist/Maker | |
Place of origin |
Dramatic and virtuoso compositions were often carved in ivory during the baroque period. These figures seem to have been inspired by Rubens's work, although no specific source has been identified. It is also analogous to an earlier ivory tankard dated 1676 by Matthias Rauchmiller (1645-1686) depicting the same subject in the Liechtenstein Collection.
The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.
The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.
Object details
Categories | |
Object type | |
Title | The Rape of the Sabines (generic title) |
Materials and techniques | Carved ivory |
Brief description | Relief, carved ivory with later wood backing, The Rape of the Sabine Women, by Peter Heinrich Hencke, German (Mainz), dated 1743 |
Physical description | The frieze of figures depicts the rape of the Sabine women, in front of two trees and a castellated archway. The semi-draped male and female figures, along with two naked putti and a dog biting the heel of one of the putti, fight and tear at one another in an anguished frenzy. The relief is made up of four pieces of ivory, with two extra added for the trees and archway respectively. It is signed and dated 'PETER HENCKE 1743' on the tree trunk at the extreme right. |
Dimensions |
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Marks and inscriptions | 'PETER HENCKE 1743' |
Gallery label |
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Credit line | Given by Alfred Spero. |
Object history | Given by Alfred Spero, London, in 1949. |
Subjects depicted | |
Summary | Dramatic and virtuoso compositions were often carved in ivory during the baroque period. These figures seem to have been inspired by Rubens's work, although no specific source has been identified. It is also analogous to an earlier ivory tankard dated 1676 by Matthias Rauchmiller (1645-1686) depicting the same subject in the Liechtenstein Collection. The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house. |
Bibliographic references |
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Collection | |
Accession number | A.7-1949 |
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Record created | June 24, 2009 |
Record URL |
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