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The Rape of the Sabines

Relief
1743 (made)
Artist/Maker
Place of origin

Dramatic and virtuoso compositions were often carved in ivory during the baroque period. These figures seem to have been inspired by Rubens's work, although no specific source has been identified. It is also analogous to an earlier ivory tankard dated 1676 by Matthias Rauchmiller (1645-1686) depicting the same subject in the Liechtenstein Collection.

The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.

Object details

Categories
Object type
TitleThe Rape of the Sabines (generic title)
Materials and techniques
Carved ivory
Brief description
Relief, carved ivory with later wood backing, The Rape of the Sabine Women, by Peter Heinrich Hencke, German (Mainz), dated 1743
Physical description
The frieze of figures depicts the rape of the Sabine women, in front of two trees and a castellated archway. The semi-draped male and female figures, along with two naked putti and a dog biting the heel of one of the putti, fight and tear at one another in an anguished frenzy. The relief is made up of four pieces of ivory, with two extra added for the trees and archway respectively. It is signed and dated 'PETER HENCKE 1743' on the tree trunk at the extreme right.
Dimensions
  • Height: 32.7cm
  • Width: 48cm
Marks and inscriptions
'PETER HENCKE 1743'
Gallery label
(1993 - 2011)
THE RAPE OF SABINES
German; signed and dated 1743
Ivory
By Peter Hencke (d. 1777)
Given by Alfred Spero Esq.
Credit line
Given by Alfred Spero.
Object history
Given by Alfred Spero, London, in 1949.
Subjects depicted
Summary
Dramatic and virtuoso compositions were often carved in ivory during the baroque period. These figures seem to have been inspired by Rubens's work, although no specific source has been identified. It is also analogous to an earlier ivory tankard dated 1676 by Matthias Rauchmiller (1645-1686) depicting the same subject in the Liechtenstein Collection.

The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.
Bibliographic references
  • Burlington Magazine, XCVI, April 1954, p. 129 and fig. 32
  • H.D. Molesworth, Baroque, Rococo and Neo-Classical Sculpture, London, 1954, p. VIII and pl. 29
  • E. von Philippovich, 'Peter Hencke, der Monogrammist JPH und PH' in Mainz und der Mittelrhein. Studien für Wolfgang Fritz Volbach zu seinem 70. Geburtstag, Mainz, 1966, p. 681
  • C. Theuerkauff, 'A Note on the Ulm Sculptor, David Heschler', Apollo LXXXVI, October 1967, pp. 289
  • C. Theuerkauff, Elfenbein Sammlung Reiner Winkler, Munich, 1984, p. 58
  • H. Reber, 'Johann Peter Melchior und die Kurmainzische Plastik seiner Zeit', Keramos, Vo. 119, January 1988, p. 116 and fig. 20a
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 70
Collection
Accession number
A.7-1949

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Record createdJune 24, 2009
Record URL
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