Angel Musicians
Plaque
mid nineteenth century (made)
mid nineteenth century (made)
Artist/Maker | |
Place of origin |
This ivory plaque, showing angels musicians, is probably made in Venice, Italy, in the middle of the nineteenth century. The plaque duplicates part of the top half of the right side of a marble altar frontal of about 1480 in the church of San Trovaso in Venice. The sides of this frontal were much copied, and a number of examples in terracotta survive. The plaque and frame, with the Gritti arms, would have greatly appealed to the Grand Tourists of the second quarter of the nineteenth century, and they were probably made only shortly before their appearance for sale in Paris in 1857.
Object details
Categories | |
Object type | |
Title | Angel Musicians (generic title) |
Materials and techniques | Carved elephant ivory in ebony frame |
Brief description | Plaque, carved ivory in ebony frame, angels playing on musical instruments, probably Italy (Venice), middle of the nineteenth century in the style of ca. 1500 |
Physical description | This plaque depicts angels playing on musical instruments, in an ebony frame. The plaque shows in the foreground a lightly draped angel playing a lute, his mouth open in song. To the left, and slightly behind, a second angel plays the viol; three further angels' heads appear in the background (and a halo denoting the presence of another). The plaque is set into a frame veneered with ebony and dark wood decorated with fillets of ivory, many now loose. To either side of the plaque are carved wooden pilasters ornamented at the base with the coat of arms of Doge Andrea Gritti (r. 1523-38). |
Dimensions |
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Object history | In the possession of John Webb, London, by 1857; purchased from Webb in 1858, £25. |
Subjects depicted | |
Summary | This ivory plaque, showing angels musicians, is probably made in Venice, Italy, in the middle of the nineteenth century. The plaque duplicates part of the top half of the right side of a marble altar frontal of about 1480 in the church of San Trovaso in Venice. The sides of this frontal were much copied, and a number of examples in terracotta survive. The plaque and frame, with the Gritti arms, would have greatly appealed to the Grand Tourists of the second quarter of the nineteenth century, and they were probably made only shortly before their appearance for sale in Paris in 1857. |
Bibliographic references |
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Collection | |
Accession number | 4690-1858 |
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Record created | June 24, 2009 |
Record URL |
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