Mantelpiece
Mantelpiece
ca. 1911 (made)
ca. 1911 (made)
| Artist/Maker | |
| Place of origin |
The marble mantelpiece from the dining room at Dorchester House for which this is probably a model, was also transferred to this Museum from the Tate Gallery in 1975.
A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 14 parts.
|
| Title | Mantelpiece (named collection) |
| Materials and techniques | Plaster and wood |
| Brief description | Mantelpiece, model, in plaster and wood, after Alfred Stevens, England, ca. 1911 |
| Dimensions |
|
| Credit line | Presented by Art Fund |
| Object history | Presented to the Tate Gallery by Alfred Stevens memorial Committee in 1911. Transferred from the Tate in 1975. |
| Summary | The marble mantelpiece from the dining room at Dorchester House for which this is probably a model, was also transferred to this Museum from the Tate Gallery in 1975. A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. |
| Bibliographic reference | Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 393 cat. no. 628 |
| Collection | |
| Accession number | A.29:1 to 14-1975 |
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| Record created | June 24, 2009 |
| Record URL |
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