Figure
ca. 1741-1744 (made)
Artist/Maker | |
Place of origin |
The Commedia dell’Arte, was a form of improvised street theatre, which spread from16th-century Italy throughout Europe, and remained popular for around two centuries. Commedia dell'Arte troupes engaged in very physical acting using music, dance and acrobatics in their performances. While the plot was largely improvised, stock characters were used and were recognisable to the audience by their costumes, accents and poses. The popularity of this theatre form inspired paintings and decorative objects depicting the commedia characters.
From the late 1730s and into the 1740s the Meissen modeller Johann Joachim Kändler produced a great variety of expressive figures based on the Commedia dell’Arte characters. Pantalone’s typical pose and costume was established early in 17th-century Florence in an engraving by Callot, which went on to be copied by artists innumerable times over the next two hundred years. He is normally depicted wearing a hook-nosed mask and old fashioned Venetian merchant’s attire to accentuate his miserly nature. Kändler omits the mask but positions the figure in the forward-bending pose associated with the character.
From the late 1730s and into the 1740s the Meissen modeller Johann Joachim Kändler produced a great variety of expressive figures based on the Commedia dell’Arte characters. Pantalone’s typical pose and costume was established early in 17th-century Florence in an engraving by Callot, which went on to be copied by artists innumerable times over the next two hundred years. He is normally depicted wearing a hook-nosed mask and old fashioned Venetian merchant’s attire to accentuate his miserly nature. Kändler omits the mask but positions the figure in the forward-bending pose associated with the character.
Object details
Categories | |
Object type | |
Materials and techniques | Hard-paste porcelain, painted in enamels and gilt |
Brief description | Figure of Pantaloon, hard-paste porcelain painted in enamels and gilt, modelled by J. J. Kändler, 1741, made by Meissen porcelain factory, Germany, about 1741-44 |
Physical description | Figure of Pantaloon with long grey beard stepping forward with his right foot. He is wearing a black close fitting hat, black cloak, red suit with gilded buttons, a 'slapstick' in a black belt and yellow shoes. He is standing on a white base embellished with blue flowers and green leaves. |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Mrs O. J. Finney in memory of Oswald James Finney |
Object history | See C.22-1984 for same figure of Pantaloon. |
Production | Modelled by Kändler 1741 |
Subjects depicted | |
Summary | The Commedia dell’Arte, was a form of improvised street theatre, which spread from16th-century Italy throughout Europe, and remained popular for around two centuries. Commedia dell'Arte troupes engaged in very physical acting using music, dance and acrobatics in their performances. While the plot was largely improvised, stock characters were used and were recognisable to the audience by their costumes, accents and poses. The popularity of this theatre form inspired paintings and decorative objects depicting the commedia characters. From the late 1730s and into the 1740s the Meissen modeller Johann Joachim Kändler produced a great variety of expressive figures based on the Commedia dell’Arte characters. Pantalone’s typical pose and costume was established early in 17th-century Florence in an engraving by Callot, which went on to be copied by artists innumerable times over the next two hundred years. He is normally depicted wearing a hook-nosed mask and old fashioned Venetian merchant’s attire to accentuate his miserly nature. Kändler omits the mask but positions the figure in the forward-bending pose associated with the character. |
Bibliographic reference | |
Collection | |
Accession number | C.18-1984 |
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Record created | June 24, 2009 |
Record URL |
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