Figure
ca. 1750-55 (made)
Artist/Maker | |
Place of origin |
The Commedia dell’Arte, was a form of improvised street theatre, which spread from16th-century Italy throughout Europe, and remained popular for around two centuries. Commedia dell'Arte troupes engaged in very physical acting using music, dance and acrobatics in their performances. While the plot was largely improvised, stock characters were used and were recognisable to the audience by their costumes, accents and poses. The popularity of this theatre form inspired paintings and decorative objects depicting the commedia characters.
The Commedia dell’Arte figures produced at Höchst porcelain factory were, like those made at Fürstenberg, inspired by the engravings of Johann Jacob Wolrab produced in Nuremberg around 1720. Pierrot was a naive character in the Commedia dell’Arte who loses his love interest Columbine to Harlequin. While this figure is attired in colourful clothing, wearing trousers more typical of Harlequin, Pierrot is more often portrayed entirely dressed in white with a white powdered face.
The Commedia dell’Arte figures produced at Höchst porcelain factory were, like those made at Fürstenberg, inspired by the engravings of Johann Jacob Wolrab produced in Nuremberg around 1720. Pierrot was a naive character in the Commedia dell’Arte who loses his love interest Columbine to Harlequin. While this figure is attired in colourful clothing, wearing trousers more typical of Harlequin, Pierrot is more often portrayed entirely dressed in white with a white powdered face.
Object details
Categories | |
Object type | |
Materials and techniques | Hard-paste porcelain, painted in enamels and gilt |
Brief description | Figure of Pierrot, hard-paste porcelain painted in enamels and gilt, made by Höchst porcelain factory, Germany, ca. 1750-55 |
Physical description | Figure of Pierrot, of hard-paste porcelain. Bent-kneed figure standing on a gilt edged plinth against a tree stump. Pierrot is leaning slightly backwards. He is wearing a black hat with the brim upturned, his face decorated with patches, a white ruffled collar and a turquoise jacket with gilt edging. His trousers are lozenge-patterned red, white and blue (the left leg) and with playing cards on a yellow ground (the right leg). He has grey red-heeled shoes. |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Mrs O. J. Finney in memory of Oswald James Finney |
Subjects depicted | |
Summary | The Commedia dell’Arte, was a form of improvised street theatre, which spread from16th-century Italy throughout Europe, and remained popular for around two centuries. Commedia dell'Arte troupes engaged in very physical acting using music, dance and acrobatics in their performances. While the plot was largely improvised, stock characters were used and were recognisable to the audience by their costumes, accents and poses. The popularity of this theatre form inspired paintings and decorative objects depicting the commedia characters. The Commedia dell’Arte figures produced at Höchst porcelain factory were, like those made at Fürstenberg, inspired by the engravings of Johann Jacob Wolrab produced in Nuremberg around 1720. Pierrot was a naive character in the Commedia dell’Arte who loses his love interest Columbine to Harlequin. While this figure is attired in colourful clothing, wearing trousers more typical of Harlequin, Pierrot is more often portrayed entirely dressed in white with a white powdered face. |
Bibliographic reference | Lang, Arthur "The engraved sources of Feilner's Höchst and Fürstenberg Comedians." in Keramik-Freunde der Schweiz. nr. 51, July 1900, pp. 21-22. |
Collection | |
Accession number | C.26-1984 |
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Record created | June 24, 2009 |
Record URL |
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