Cup and Saucer thumbnail 1
Cup and Saucer thumbnail 2
+2
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Cup and Saucer

ca. 1805 (made)
Artist/Maker
Place of origin

Cup and saucer of hard-paste porcelain painted with enamels and gilded. Gilt borders of anthemion ornament.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cups
  • Saucer
Materials and techniques
Hard-paste porcelain painted with enamels and gilded
Brief description
Cup and saucer of hard-paste porcelain painted with enamels and gilded, Königliche Porzellan Manufaktur Berlin, Berlin, ca. 1805.
Physical description
Cup and saucer of hard-paste porcelain painted with enamels and gilded. Gilt borders of anthemion ornament.
Dimensions
  • Whole height: 10.1cm
  • Whole diameter: 15.2cm
  • Cup height: 7.2cm
  • Cup (including handle) width: 9.9cm
  • Saucer height: 2.9cm
  • Saucer diameter: 15.2cm
Marks and inscriptions
'ip' (In red)
Gallery label
  • Label for 'American and European Art and Design 1800-1900', Gallery 101, de-canted March 2017: '4 Cup and Saucer with Classical Decoration About 1805 The Berlin manufactory was noted for its efficiency. It used new clays and colours, as well as steam engines. The Neo-classical wares were distinguished by high quality painting. This cup and saucer show the pyramid of Caius Cestius and the temple of Minerva Medica, both in Rome. The border, painted to look like Roman mosaic, was a speciality of the factory. Germany, Berlin; made at the Royal Porcelain Manufactory Hard-paste porcelain, painted in colours and gilt Museum no. C.92&A-1922 Given by Mrs Herbert Allen (Maude Louise Allen)'
  • CUP AND SAUCER Royal Porcelain Manufactory Manufacturers Berlin: about 1805 Porcelain painted in colours and gilt C. 92& a-1922 Frederick the Great acquired this porcelain factory in 1763; after his death it was run by a board under the Royal Commissioner Baron von Heinitz. He modernised, improved the clay and colours and introduced steam engines, and by 1800 it was one of the most modern, efficient porcelain factories. Production was entirely neo-classical and distinguished by high quality painting. The views are the Pyramid of Caius Cestius and the Temple of Minerva Medica at Rome. The border is painted in imitation of Roman mosaic, a speciality of the factory. Given by Mrs. Herbert Allen (Maude Louise Allen)(1987-2006)
Credit line
Given by Mrs Herbert Allen (Maude Louise Allen)
Subjects depicted
Place depicted
Bibliographic reference
The Age of Neo-Classicism, London : Arts Council of Great Britain, 1972 No. 1425
Collection
Accession number
C.92&A-1922

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest