Vase
100 BC to 600 AD (made)
Place of origin |
Globular vessel of red earthenware with two linked spouts at the top. The black and cream ground is painted on opposite sides with two polychrome hummingbirds in slips of cream, red and brown with black outlines.
Object details
Categories | |
Object type | |
Materials and techniques | Earthenware, painted with slip and burnished |
Brief description | Earthenware vessel painted with two humming birds, Peru, early Nasca style, 100 BC to 600 AD |
Physical description | Globular vessel of red earthenware with two linked spouts at the top. The black and cream ground is painted on opposite sides with two polychrome hummingbirds in slips of cream, red and brown with black outlines. |
Dimensions |
|
Style | |
Credit line | Given by The Dowager Lady Steel-Maitland |
Object history | According to a letter in the RF, dated 7/9/41 "Brought back by the late Rt.Hon. Sir Arthur Steel Maitland from La Paz in 1921" (Bolivia) Historical significance: The Nasca style was subject to changes over seven centuries. Many examples from the Early phase include quite simple compositions of stylised subjects from the natural world, very important to their agrarian and fishing culture. Designs include a wide range of local animals and birds naturalistic enough to identify the species, such as the hummingbirds on this bottle. The double spout and bridge demonstrated here is one of the most distinctive and complicated Nasca vessel forms. On one level it had a very practical function as the second opening allowed for air to escape so liquid poured smoothly. |
Historical context | The Nasca people lived in Southern Peru in the desert valleys leading to the coast, and pottery produced by the Nasca Culture from ca.100 BC to 600 AD is some of the most accomplished of pre-columbian civilizations. Nasca pots were formed by coiling, drawing and shaping by direct modelling rather than the use of moulds. The decoration is characterised by skilled polychrome slip painting. Blocks of coloured slips were painted using brushes made from Llama or Alpaca fur and then the distinctive black outlines of the image were added on top. The surface was carefully burnished before firing to produce a smooth and shiny surface. |
Production | South Coast of Peru |
Subject depicted | |
Bibliographic references |
|
Collection | |
Accession number | C.14-1941 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 24, 2009 |
Record URL |
Download as: JSONIIIF Manifest