The Hashiba Crossing
Woodblock Print
1854 (made)
1854 (made)
Artist/Maker | |
Place of origin |
The view of the Hashiba ferry crossing in this uchiwa-e (rigid fan print) design by Hiroshige is taken from the embankment that marked the western edge of the Mukojima district in north-east Edo. In the centre, across the Sumida river, is the Massaki Shrine, while on the near bank are the thatched roofs of the huts in the immediate vicinity of the crossing. The tall trees that are usually shown surrounding the huts have been dispensed with in this design in order to give prominence to the figures under the blossoming cherry tree in the foreground and to give a clearer view across the river. This is evidence of the license commonly exercised by Hiroshige and other artists in the interests of compositional effect.
Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Woodblock print on paper |
Brief description | Woodblock print, Utagawa Hiroshige I; 'The Hashiba Crossing', from the series 'Ferry Crossings in Katsushika in the Eastern Capital'; fan print, Japanese, 1854 |
Physical description | Fan print, aiban size. Artist signature: Hiroshige ga. Publisher mark: Iseya Soemon. Censorship seal: aratame. Date seal: Tiger 2 (1854/2). |
Dimensions |
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Style | |
Object history | Purchased from S. M. Franck & Co., accessioned in 1886. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
Place depicted | |
Summary | The view of the Hashiba ferry crossing in this uchiwa-e (rigid fan print) design by Hiroshige is taken from the embankment that marked the western edge of the Mukojima district in north-east Edo. In the centre, across the Sumida river, is the Massaki Shrine, while on the near bank are the thatched roofs of the huts in the immediate vicinity of the crossing. The tall trees that are usually shown surrounding the huts have been dispensed with in this design in order to give prominence to the figures under the blossoming cherry tree in the foreground and to give a clearer view across the river. This is evidence of the license commonly exercised by Hiroshige and other artists in the interests of compositional effect. |
Collection | |
Accession number | E.12074-1886 |
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Record created | March 5, 2000 |
Record URL |
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