Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Figure

ca. 1760 (made), 1758-1759 (modelled)
Artist/Maker
Place of origin

This figure is one of a pair, the female companion being C.950-1919. He is holding a hat and pointing to it, while his companion holds a birdcage in her right hand. The small small songbird she has just released from the cage is about to fly into the hat from her left hand. To 18th-century eyes the meaning of this would have been clear: it symbolized that the woman was about to surrender her virginity to the suitor (the hat with its central opening symbolizes the sexual act). The birdcage was a symbol of the woman's virginity, which was intact, if the bird was still in the cage, but which was not if the door was open and the bird had flown. This symbolism appears in countless Continental European porcelain figure groups.


Object details

Categories
Object type
Materials and techniques
Hard-paste porcelain painted with colours and gilded
Brief description
Figure of a gallant in hard-paste porcelain painted with colours and gilded, modelled by J.F. Lück 1758-1759, made by Frankenthal Porcelain Factory, Frankenthal, ca. 1760.
Physical description
Figure of a gallant in hard-paste porcelain painted with colours and gilded. He wears a pink coat flowered in purple, white shirt, yellow breeches, white stockings and light brown shoes. He holds his hat.
Dimensions
  • Height: 15.2cm
Marks and inscriptions
A lion [above the monogram] 'J.A.H.' (In underglaze blue)
Credit line
Bequeathed by Miss Florence Augusta Beare in memory of Arthur Doveton Clarke
Object history
For the companion figure see C.950-1919
Subjects depicted
Summary
This figure is one of a pair, the female companion being C.950-1919. He is holding a hat and pointing to it, while his companion holds a birdcage in her right hand. The small small songbird she has just released from the cage is about to fly into the hat from her left hand. To 18th-century eyes the meaning of this would have been clear: it symbolized that the woman was about to surrender her virginity to the suitor (the hat with its central opening symbolizes the sexual act). The birdcage was a symbol of the woman's virginity, which was intact, if the bird was still in the cage, but which was not if the door was open and the bird had flown. This symbolism appears in countless Continental European porcelain figure groups.
Collection
Accession number
C.989-1919

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Record createdJune 24, 2009
Record URL
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