Group thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Group

ca. 1790 (made)
Artist/Maker
Place of origin

Figure group in tin glazed hard-paste porcelain painted with enamels of peasants. They stand on a rocky base with tree stumps and flowers in relief. The man and woman are turning towards each other and they hold flowers.


Object details

Categories
Object type
Materials and techniques
Tin glazed hard-paste porcelain painted with enamels
Brief description
Figure group in tin glazed hard-paste porcelain of peasants, Doccia porcelain factory, Doccia, ca. 1790.
Physical description
Figure group in tin glazed hard-paste porcelain painted with enamels of peasants. They stand on a rocky base with tree stumps and flowers in relief. The man and woman are turning towards each other and they hold flowers.
Dimensions
  • Height: 17.5cm
Gallery label
Figure Group of Peasants Tin-glazed porcelain ITALY (DOCCIA), about 1790-1800 Gift of Lt.-Col. K. Dingwall D.S.O. C.128-1916 (Label draft attributed to John V. G. Mallet, ca. 1995)(ca. 1995)
Credit line
Presented by Lt. Col. K. Dingwall, DSO with Art Fund support
Subjects depicted
Bibliographic reference
Frescobaldi Malenchini, Livia ed. With Balleri, Rita and Rucellai, Oliva, ‘Amici di Doccia Quaderni, Numero VII, 2013, The Victoria and Albert Museum Collection’, Edizioni Polistampa, Firenze, 2014 p. 71, Cat. 49 49. Group with two peasants circa 1790 hard-paste porcelain painted with colours h 17,6 cm no mark inv. C.128-1916 gift: Lt. Col. K. Dingwall, DSO through The Art Fund This group, which is severely damaged, represents two peasants on a rocky base and is typical of figures produced at the end of the 18th century. In the price lists of this era groups of two or more figures are often mentioned but it is very difficult to identify them without precise details. Figures of amorous couples were manufactured by almost all of the European factories and were often used as decorative elements of table settings. For other examples from Doccia, see GINORI LISCI 1963, p. 91, plate LXI-LXII; LIVERANI 1967, LXI. The statuette was attributed to Capodimonte when it was given to the museum (concerning the mistaken attributions of objects from Doccia to Capodimonte in English collections, see MARITANO 2012, p. 14-17). A.B. Bibliography: unpublished
Collection
Accession number
C.128-1916

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Record createdJune 24, 2009
Record URL
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