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Box thumbnail 2
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Not on display

Box

1850-89 (made)
Place of origin

The fine openwork patterning can be found on a variety of Iranian wood objects, including spoons, the handles of dervish bowls, boxes, and Quran stands. Many of the Iranian wooden objects during the nineteenth century were manufactured in the large town of Abadeh, which was known for its fine wood production.

This box would have been made from a variety of carving tools, the most unusual one being a file or saw, known in Persian as a marpa. The lattice work pattern would have been achieved by first drilling the pattern with a fiddle drill, before removing the remaining wood with a coarser marpa, and finally piercing the remaining wood with a very fine marpa. The process was time consuming and required both a steady and delicate hand.

Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Box
  • Lid
Materials and techniques
Carved pearwood
Brief description
Carved wooden box with lid, Iran (Abadeh), Qajar period, 1850-89
Physical description
Rectangular shaped wooden box, carved with along three sides with panels of dense floral sprays, flanked by a fine row of stylised flowers carved in deep relief. On the other side, a horizontal scene depicts men and women on horseback approaching a modestly clad woman seated in a tent in a hilly landscape. The lid is carved with a horizontal composition of a lion attacking a man who lays sprawled against the ground; the panel is surrounded by similarly carved dense floral sprays. The box stands elevated upon four carved feet.
Dimensions
  • Height: 15.1 cm
  • Width: 23.2 cm
  • Length: 33.3 cm
Summary
The fine openwork patterning can be found on a variety of Iranian wood objects, including spoons, the handles of dervish bowls, boxes, and Quran stands. Many of the Iranian wooden objects during the nineteenth century were manufactured in the large town of Abadeh, which was known for its fine wood production.

This box would have been made from a variety of carving tools, the most unusual one being a file or saw, known in Persian as a marpa. The lattice work pattern would have been achieved by first drilling the pattern with a fiddle drill, before removing the remaining wood with a coarser marpa, and finally piercing the remaining wood with a very fine marpa. The process was time consuming and required both a steady and delicate hand.
Bibliographic references
  • Major R. Murdoch Smith, Persian Art (Chapman and Hall: London, 1876)
  • Hans E. Wulff, The Traditional Crafts of Persia: Their Development, Technology, and Influence on Eastern and Western Civilizations (Cambridge: MIT Press, 1966), p. 98
Collection
Accession number
861:1-1889

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Record createdJune 24, 2009
Record URL
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