Not currently on display at the V&A

Candlestick

Mid 18th Century (made)
Artist/Maker
Place of origin

In Louis XIV's France candlesticks with more than one socket were restricted to royal use. Baluster candlesticks were initially made in silver in forms developed by Louis XIV's court designer, Jean Berain, 'dessinateur de la Chambre et du Cabinet du Roi' whose designs for candlesticks were published in 1711. Louis XIV's order to melt down domestic silver to finance the French military campaigns in 1689 and again in 1709 encouraged the production of domestic metalware in bronze which was gilded to imitate precious metal. Ormolu became a favourite material in France for domestic lighting. Jean Berain's designs were widely used by European craftsmen working in a range of metals, ormolu, pewter, and silver, and promoted the development of the 'Regence' style decorated with bell flowers, strapwork and lambrequins. The circular base, fluted baluster and nozzle with central rib are all adapted from Berain's published designs. These candlesticks are assembled from cast parts using techniques practised by silversmiths in a pattern that dates from the early 18th century, but continued in production in the reign of Louis XIV's successor Louis XV.

The orange-coloured gilding indicates that the candlesticks were regilded later in the 19th century, but the chasing and burnishing of the cast ornament is of high quality.


Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Candlestick
  • Candlestick
  • Nozzle
  • Nozzle
Materials and techniques
Cast, chased and gilt
Brief description
Candlestick, one of a pair, ormolu, with baluster stem on circular foot, chased with strapwork and festoons.
Physical description
Candlestick, one of a pair, ormolu, with baluster stem on circular foot, chased with strapwork and festoons.
Dimensions
  • 969 1882 height: 225mm
  • 969 1882 diameter: 133mm
  • 969 a 1882 height: 222mm
  • 969 a 1882 diameter: 135
Style
Credit line
Bequeathed by John Jones
Object history
From the collection of John Jones, bequeathed to the Victoria and Albert Museum in 1882.
Historical context
Candlesticks were in frequent use and thus required regular attention. They were cleaned and relacquered and regilded as required.
Production
The candlesticks were cast in sections in moulds made from models of lead or bronze. The different sections were then welded together before the surface finishing and chasing in readiness for mercury gilding. In France, candlesticks were normally gilded underneath their bases as they were frequently moved from table to table, and their undersides visible.
Association
Summary
In Louis XIV's France candlesticks with more than one socket were restricted to royal use. Baluster candlesticks were initially made in silver in forms developed by Louis XIV's court designer, Jean Berain, 'dessinateur de la Chambre et du Cabinet du Roi' whose designs for candlesticks were published in 1711. Louis XIV's order to melt down domestic silver to finance the French military campaigns in 1689 and again in 1709 encouraged the production of domestic metalware in bronze which was gilded to imitate precious metal. Ormolu became a favourite material in France for domestic lighting. Jean Berain's designs were widely used by European craftsmen working in a range of metals, ormolu, pewter, and silver, and promoted the development of the 'Regence' style decorated with bell flowers, strapwork and lambrequins. The circular base, fluted baluster and nozzle with central rib are all adapted from Berain's published designs. These candlesticks are assembled from cast parts using techniques practised by silversmiths in a pattern that dates from the early 18th century, but continued in production in the reign of Louis XIV's successor Louis XV.

The orange-coloured gilding indicates that the candlesticks were regilded later in the 19th century, but the chasing and burnishing of the cast ornament is of high quality.
Collection
Accession number
969-1882

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Record createdJune 24, 2009
Record URL
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