Brackets (2) thumbnail 1
Not currently on display at the V&A

Brackets (2)

1680-1720 (made)
Artist/Maker
Place of origin

This pair of brackets was carved in the early 18th century, to show sculpture or pieces of ceramic. Nearly a hundred and fifty years later they were still valued when they were collected as examples of carving to inspire and train carvers. They are amongst several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.


Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Bracket
  • Bracket
Materials and techniques
Carved oak and walnut
Brief description
Pair of console brackets carved in oak and walnut, with symmetrical scrollwork and foliage
Physical description
Pair of console brackets carved in oak and walnut, with symmetrical scrollwork and foliage
Credit line
Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA
Summary
This pair of brackets was carved in the early 18th century, to show sculpture or pieces of ceramic. Nearly a hundred and fifty years later they were still valued when they were collected as examples of carving to inspire and train carvers. They are amongst several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Collection
Accession number
W.647&A-1921

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Record createdJune 24, 2009
Record URL
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