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Architectural Panel

1680-1720 (made)
Artist/Maker
Place of origin

This long panel would have been one of the main panels in a scheme of architectural panelling, filling the space between the dado and the frieze above. The carving, including vines and wheat ears, might have been intended for use in a religious context, suggesting the bread and wine that are central to the Mass. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.


Object details

Categories
Object type
Materials and techniques
Carved oak
Brief description
Rectangular panel of oak, from a scheme of wall panelling, carved with a pendant of vine, wheat ears and flowers, suspended from a ribbon, within a moulded border
Physical description
Rectangular panel of oak, from a scheme of wall panelling, carved with a pendant of vine, wheat ears and flowers, suspended from a ribbon, within a moulded border
Dimensions
  • Height: 168cm
  • Width: 45cm
  • Depth: 4cm
Dimensions checked on object in store in 1990s and noted on record photo
Credit line
Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA
Summary
This long panel would have been one of the main panels in a scheme of architectural panelling, filling the space between the dado and the frieze above. The carving, including vines and wheat ears, might have been intended for use in a religious context, suggesting the bread and wine that are central to the Mass. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Collection
Accession number
W.523-1921

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Record createdJune 24, 2009
Record URL
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