Architectural Panel
1780-1790 (made)
Artist/Maker | |
Place of origin |
The finer details of this panel have been cut in lime, which was often used by carvers for their best work. It's fine grain allowed very great detail to be cut. The panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Materials and techniques | Oak and lime, carved |
Brief description | Tall, narrow panel of oak, with applied carving in lime, consisting of a classical vase, from which springs corn and a flowering tree. The base of the vase is now missing. English, 1780-1790 |
Physical description | Tall, narrow panel of oak, with applied carving in lime, consisting of a classical vase, from which springs corn and a flowering tree. The base of the vase is now missing. |
Dimensions |
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Style | |
Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | The finer details of this panel have been cut in lime, which was often used by carvers for their best work. It's fine grain allowed very great detail to be cut. The panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.386-1921 |
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Record created | June 24, 2009 |
Record URL |
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