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Architectural Panel

1730-1760 (made)
Artist/Maker
Place of origin

This panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.



Object details
Categories
Object type
Parts
This object consists of 2 parts.

  • Architectural Panel
  • Fragment
Materials and techniques
Pine, carved, painted and gilded
Brief description
Architectural panel of pine, painted and gilt, showing and arched base and carved with a trophy of musical instruments and a quiver, surmounted by asymmetrical festoons and surrounded by a scrollwork border.
Physical description
Architectural panel of pine, painted and gilt, showing and arched base and carved with a trophy of musical instruments and a quiver, surmounted by asymmetrical festoons and surrounded by a scrollwork border.
Dimensions
  • Height: 91.5in
  • Width: 65.25in
Dimensions taken from departmental catalogue. Not checked on object.
Style
Credit line
Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA
Summary
This panel is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.



Collection
Accession number
W.395:1to:2-1921

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Record createdJune 24, 2009
Record URL
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