Lucretia and Brutus
Plaquette
late 15th century to early 16th century (made)
late 15th century to early 16th century (made)
Artist/Maker | |
Place of origin |
This plaquette depicting Lucretia and Brutus, is amde by Riccio in Padua in the early 16th century.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of Classical mythology.
His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of Classical mythology.
His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Object details
Categories | |
Object type | |
Title | Lucretia and Brutus (generic title) |
Materials and techniques | Bronze |
Brief description | Plaquette, bronze, Lucretia and Brutus, by Riccio, Italy (Padua), late 15th - early 16th century |
Physical description | To the right Lucretia, loose hair, naked to the waist, stabbing herself. To the left Brutus, his hands raised. Mountains in background. |
Dimensions |
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Object history | From the Salting bequest. |
Subjects depicted | |
Summary | This plaquette depicting Lucretia and Brutus, is amde by Riccio in Padua in the early 16th century. Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy. Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance. His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance. |
Bibliographic references |
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Collection | |
Accession number | A.417-1910 |
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Record created | June 24, 2009 |
Record URL |
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