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Anne of Brittany

Medal
1494 (dated)
Artist/Maker
Place of origin

This medal depicts Anne of Brittany (1476-1514), the wife of the King of France Charles VIII, with the dauphin Charles-Orland (1492-1495). Charles-Orlando died just at the age of three of measles.
Cast in bronze or lead, the Renaissance portrait medal commemorated individuals or events. They were used as gifts and mementoes and were inspired by Roman coins, with their portraits of rulers and allegorical representations on the reverse, excavated all over Italy and eagerly collected by humanists. Many specialist sculptors were attracted to the art form. It was recognised that there was a ready market for medals among the growing class of collectors, usually members of the intelligensia or the gentry, who were attracted to small-scale works of art. The medal format proved ideal for this type of personal and intimate object.


Object details

Categories
Object type
TitleAnne of Brittany (generic title)
Materials and techniques
Silver gilt
Brief description
Medal, silver gilt, Anne of Brittany with dauphin Charles-Orland, unknown medallist, France, dated 1494
Physical description
Medal depicts on the obverse Anne seated full-face, wearing a dress with full skirt and sleeves and a crown. She holds a sceptre in her right and with the left supports the dauphin Charles-Orland, who stands on her knees. He wears a long coat and holds a dolphin. Inscription.
On the reverse a tree from which hangs a shield, bearing, quarterly, the arms of France and Dauphiné.. On each side a dolphin. Inscription.
Dimensions
  • Diameter: 7.4cm
Marks and inscriptions
  • 'ET . NOVA . PROGENIES . CELO . DIMITTITVR . ALTO . 1494' (obverse)
  • 'VIENNA : CIVITAS : SANCTA : MART . IRVM : SANGVINE : DEDICATA' (reverse)
Object history
From the Salting bequest.
Subjects depicted
Summary
This medal depicts Anne of Brittany (1476-1514), the wife of the King of France Charles VIII, with the dauphin Charles-Orland (1492-1495). Charles-Orlando died just at the age of three of measles.
Cast in bronze or lead, the Renaissance portrait medal commemorated individuals or events. They were used as gifts and mementoes and were inspired by Roman coins, with their portraits of rulers and allegorical representations on the reverse, excavated all over Italy and eagerly collected by humanists. Many specialist sculptors were attracted to the art form. It was recognised that there was a ready market for medals among the growing class of collectors, usually members of the intelligensia or the gentry, who were attracted to small-scale works of art. The medal format proved ideal for this type of personal and intimate object.
Bibliographic reference
'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 49
Collection
Accession number
A.339-1910

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Record createdJune 24, 2009
Record URL
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