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A Beggar Woman

Statuette
ca. 1730-1750 (made)
Artist/Maker
Place of origin

This statuette representing a beggar woman, a pair to one of a beggar man (A.11-1949) was previously thought to have been made Dresden in about 1730-1750.
It is reminiscent of Dresden ivory statuettes of beggars of the eighteenth century, many of which are in the Grünes Gewölbe, Dresden. These firgures may have had as their ultimate source the earlier engravings by Jacques Callot (1592/3-1635). Formerly such pieces used to be attributed to the Dresden artist Wilhelm Krüger (1680-1756), to whom the present statuettes of a beggar man and a beggar woman were attributed at the time of their acquisition. However there is no evidence Krüger worked in ivory. It is far more likely that the figures in the V&A were actually made in Dieppe ivories in the mid-nineteenth century.



Object details

Category
Object type
TitleA Beggar Woman (generic title)
Materials and techniques
Ivory
Brief description
Statuette, ivory, a beggar woman, France (Dieppe), about 1850.
Physical description
Statuette of a female beggar in ragged clothes, a rag tied round her hair and a cloak round her shoulders. She is playing a stringed musical instrument which she carries across the front of her body and seems to be singing, stepping forward with her left foot, whose toes are revealed through her damaged shoe. Around her waist, a pan, a water bottle and a chicken in a bag. A gourd and a bowl are suspended from her waist.
Dimensions
  • Height: 15.3cm
Credit line
Given by Dr W.L. Hildburgh.
Object history
Given by Dr W.L. Hildburgh F.S.A. in 1949. Formerly on loan from Dr HIldburgh.
Subjects depicted
Association
Summary
This statuette representing a beggar woman, a pair to one of a beggar man (A.11-1949) was previously thought to have been made Dresden in about 1730-1750.
It is reminiscent of Dresden ivory statuettes of beggars of the eighteenth century, many of which are in the Grünes Gewölbe, Dresden. These firgures may have had as their ultimate source the earlier engravings by Jacques Callot (1592/3-1635). Formerly such pieces used to be attributed to the Dresden artist Wilhelm Krüger (1680-1756), to whom the present statuettes of a beggar man and a beggar woman were attributed at the time of their acquisition. However there is no evidence Krüger worked in ivory. It is far more likely that the figures in the V&A were actually made in Dieppe ivories in the mid-nineteenth century.

Associated object
A.11-1949 (Pair)
Bibliographic references
  • Cf. Pelka, O. Elfenbein. 1923, p. 277
  • Cf. Sponsel, J. L. Das Grüne Gewölbe zu Dresden : eine Auswahl von Meisterwerken der Goldschmiedekunst in vier Bänden. Leipzig, 1932, p. 96
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 83
Collection
Accession number
A.12-1949

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Record createdJune 24, 2009
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