Miss Helen Ionides thumbnail 1
Miss Helen Ionides thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Paintings, Room 81, The Edwin and Susan Davies Galleries

Miss Helen Ionides

Bust
ca. 1879 (made)
Artist/Maker
Place of origin

Jules Dalou (1838-1902) made this bust as a gift for the sitter's father, the collector Constantine Alexander Ionides (1833-1900), after he had bought 'La Liseuse', the first work ever sold in England by the sculptor. Miss Ionides was aged six or seven at the time.

The Sitter Helen Euphrosyne Ionides (1871-1967) received an M.B.E. in recognition of her work for the Red Cross during the Second World War.

Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.


Object details

Categories
Object type
TitleMiss Helen Ionides (generic title)
Materials and techniques
Terracotta
Brief description
Bust, terracotta, Miss Helen Ionides, by Aimé-Jules Dalou, Anglo-French, 1879
Physical description
The girl turns her head half right. She wears a dress or jacket with a small frill at the neck and buttons in front. Her hair is taken back behind the ears.
Dimensions
  • Height: 46.5cm
Object history
Given by the sitter, Miss Helen E. Ionides, in 1956.

Historical significance: From a letter by the sitter: "In 1877 my father bought "La Liseuse", the first work Dalou sold in England. He was so grateful, he enquired of my mother, whether there was anything he could model as a gift, that would give special pleaseure to my father. My mother suggested a bust of me! I was born in 1871."
Historical context
Dalou made this bust as a gift for the sitter's father, the collector Constantine Alexander Ionides (1833-1900), after he had bought 'La Liseuse', the first work ever sold in England by the sculptor. Miss Ionides was aged six or seven at the time.
Subjects depicted
Summary
Jules Dalou (1838-1902) made this bust as a gift for the sitter's father, the collector Constantine Alexander Ionides (1833-1900), after he had bought 'La Liseuse', the first work ever sold in England by the sculptor. Miss Ionides was aged six or seven at the time.

The Sitter Helen Euphrosyne Ionides (1871-1967) received an M.B.E. in recognition of her work for the Red Cross during the Second World War.

Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.
Bibliographic references
  • Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 249, cat.no. 378
  • Avery, C. “From David d’Angers to Rodin – Britain’s national collection of French nineteenth-century sculpture”. In: The Connoisseur, April 1972, vol. 179, no. 722, p. 238
  • Hunisak, J.M., The Sculpture of Jules Dalou: Studies in his Style and Imagery, New York University, Phd thesis, New York and London, 1977, p. 133, pl. 89A-B
  • The Fine Art Society. Exhibition Catalogue. Gibson to Gilbert- British Sculpture 1840-1914, London, 1992, pp. 14, 52, cat. no. 10
Collection
Accession number
A.10-1956

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Record createdJune 24, 2009
Record URL
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