Corner piece
Sketch-Model
ca. 1860 - ca. 1870 (made)
ca. 1860 - ca. 1870 (made)
Artist/Maker | |
Place of origin |
This is a sketch model for the moulding on the base below the sarcophagus on the Wellington Monument in St. Paul's Cathedral, made by Stevens.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's.
Object details
Categories | |
Object type | |
Title | Corner piece (named collection) |
Materials and techniques | Plaster cast |
Brief description | Sketch model, corner piece, cast in plaster, by Alfred Stevens, English, ca. 1860-70 |
Physical description | Acanthus foliage, springing up and down from a single stem. |
Dimensions |
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Object history | Purchased from Mrs Ada Gamble, 12 Stanlake Villas, Shepherd's Bush, London, together with a range of other objects by Stevens, for £175. Mrs Gamble was the widow of James Gamble, a pupil of Stevens, who had a large collection of designs and drawings by his former master. |
Historical context | This is a model for the moulding on the base below the sarcophagus on the Wellington monument. |
Subject depicted | |
Summary | This is a sketch model for the moulding on the base below the sarcophagus on the Wellington Monument in St. Paul's Cathedral, made by Stevens. A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's. |
Bibliographic references |
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Collection | |
Accession number | A.64-1911 |
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Record created | June 24, 2009 |
Record URL |
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