This figure was cast by Sir Charles Holroyd after Stevens' plaster model for the planned re-decoration of the dome in St Paul's Cathedral.

Between 1862 and 1865 Stevens was engaged in producing designs for the proposed redecoration of St Paul's Cathedral, London, a project that failed to come to fruition. This figure of Judith is one of a group of five models for the proposed decoration of the dome in St Paul's. On their acquisition it was noted: 'Although these are only roughly blocked out they convey an astonishing affect of impressive dignity which can hardly be matched except in the finest work of the Italian Renaissance.' The others four are St John and Old Testament figures - Jael, David and St Mark.

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.