An allegory of fame
Plaquette
early 16th century (made)
early 16th century (made)
| Artist/Maker | |
| Place of origin |
This plaquette depicting Fame and Cupid is made by Riccio in Padua, in the early 16th century.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of Classical mythology.
His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy.
Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze.
He was also a specialist in rendering themes of Classical mythology.
His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Object details
| Categories | |
| Object type | |
| Title | An allegory of fame (generic title) |
| Materials and techniques | Bronze |
| Brief description | Plaquette, bronze, an allegory of Fame, by Riccio, Italy (Padua), early 16th century |
| Physical description | Plaquette depicts Fame seated on a garlanded globe holding a palm and blowing a trunpet. Cupid, winged, with basket of fruit standing on a satyr-mask pedestal and watering with a ewer the roots of a palm tree. |
| Dimensions |
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| Object history | From the Salting bequest. |
| Subjects depicted | |
| Summary | This plaquette depicting Fame and Cupid is made by Riccio in Padua, in the early 16th century. Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy. Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance. His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance. |
| Bibliographic references |
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| Collection | |
| Accession number | A.416-1910 |
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| Record created | June 24, 2009 |
| Record URL |
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