foliage terminating in animal heads
Table
1857 (made)
1857 (made)
| Artist/Maker | |
| Place of origin |
This is a model for the upright side of a cast-iron table designed by Stevens, and produced by Messrs Henry E. Hoole & Co Ltd. Several of these tables were used in the former refreshment room (now the Gamble and Morris rooms) in the South Kensington Museum.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Object details
| Categories | |
| Object type | |
| Title | foliage terminating in animal heads (named collection) |
| Materials and techniques | Plaster cast |
| Brief description | Sketch model, plaster cast, for upright side of a table, foliage terminating in animal heads, from a sketch designed by Alfred Stevens, produced by Messrs Hoole & Co Ltd., English, ca. 1857 |
| Physical description | From a moulded base springs conventional foliage terminating in animal's heads and supporting a plain top. |
| Dimensions |
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| Object history | Purchased from Mrs Ada Gamble, 12 Stanlake Villas, Shepherd's Bush, London, together with a range of other objects by Stevens, for £175. Mrs Gamble was the widow of James Gamble, a pupil of Stevens, who had a large collection of designs and drawings by his former master. |
| Historical context | This is a model for the upright side of a cast-iron table designed by Stevens, and produced by Messrs Henry E. Hoole & Co Ltd. Several of these tables were used in the former refreshment room (now the Gamble and Morris rooms) in the South Kensington Museum. |
| Subjects depicted | |
| Summary | This is a model for the upright side of a cast-iron table designed by Stevens, and produced by Messrs Henry E. Hoole & Co Ltd. Several of these tables were used in the former refreshment room (now the Gamble and Morris rooms) in the South Kensington Museum. A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. |
| Bibliographic references |
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| Collection | |
| Accession number | A.34-1911 |
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| Record created | June 24, 2009 |
| Record URL |
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